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  • Crary, Jonathan. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, MASS: MIT Press, 1999.
  • Damisch, Hubert. The Origin of Perspective. Cambridge, MASS: The MIT Press, 1995.
  • Deussen, Oliver and Bernd Lintermann. Artificial Plants In Future Cinema. The Cinematic Imaginery After Film, Cambridge, MASS: MIT Press, 2003.
  • I grew up in a struggling northern industrial town during Britain's turbulent transition to a post-industrial economy. Amid the soot-blackened terraced houses, dilapidated mills, and rapidly vanishing chimney stacks, were the valleys and hills of
  • Dr. Jeffrey Huang is Associate Professor of Architecture, Digital Media and Information Technology at Harvard Graduate School of Design (GSD), and since 2003 also at the Faculty of Arts and Sciences (FAS). Huang's teaching focuses on the
  • SWAMP (Studies of Work Atmosphere and Mass Production) focuses on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between
  • Dreyfus, Hubert L.. What Computers Still Can´t Do: A Critique of Artificial Reason. Cambridge, MASS: MIT Press, 1992.
  • Fisher, Scott S.. Telepresence Master Glove Controller for Dexterous Robotic End-Effectors In Advances in Intelligent Robotic Systems, SPIE 726, edited by D. P. CasasentCambridge, MASS: 1986.
  • Fisher, Scott S.. Virtual Environments, Personal Simulation and Telepresence In Ars Electronica: Facing the Future, edited by Timothey DruckreyCambridge, MASS: MIT Press, 1999.
  • Goodman, Nelson. Ways of Worldmaking. Cambridge, MASS: Hackett Publishing, 1978.