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  • Kracauer, Siegfried. Theorie des Films: Die Errettung der Äußeren Wirklichkeit. Frankfurt/Main: Suhrkamp-Taschenbuch Wissenschaft, 1985.
  • WHITE CUBE alpha exhibition The Age of Experience curated by Harald Kraemer, CMC Gallery, School of Creative Media City University, Hong Kong Seeking the common denominator of all contemporary artworks, in spite of their spectacular diversity, the
  • Baltrusaitis, Jurgis. Imaginäre Realitäten: Fiktion und Illusion als produktive Kraft. Köln: DuMont, 1987.
  • in cooperation with: Gerald Nestler (Research), Christof Cargnelli (Sound), Oliver Irschitz (Production) --- I treat Wittgenstein's propositions more like axioms. When I negate the axiom, 'We make ourselves a picture of the world'
  • Black Box / Chambre Noire konzipierte William Kentridge speziell für die Reihe der Auftragsarbeiten des Deutsche Guggenheim und wählte daher inhaltlich bewusst Deutschland, das Land des Auftraggebers, als Ausgangspunkt der Arbeit. Kentridge, der
  • According to Info-Aesthetics Doctrine (www.manovich.net/IA), the society in which gathering, processing and distribution of information play central role needs its own art forms. These forms should take into account information behaviors and
  • Musique Non Stop -
    Allen created all visual material for the 1986 album Electric Cafe by the German group Kraftwerk including the classic, award-winning music video, Musique Non Stop. This work involved the development of state-of-the-art facial animation software in
  • Flür, Wolfgang. Kraftwerk: I Was a Robot. London: Sancturay Pub Limited, 2003.
  • Camerino, Andrea Andypop. L´avanguardismo elettronico dei Kraftwerk Stile.it (Online Journal) (2006).
  • Barr, Tim. Kraftwerk: From Düsseldorf to the Future (With Love). London: Ebury Press, 1999.