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  • Kusch, Martin. Passage- A hybrid between interactive installation and performance In New realities: Being Syncretic, edited by R. Ascott and G. Bast and M. Jahrmann and R. Schnell, 174-178. Vienna: Springer, 2009.
  • Wasserzaun -
    Sensor-controlled interactive water installation, customs clearance caravan tunnel Austrian–Slovenian border crossing, competition 1990, realization 1991 "The speed of the sinusoidal wave motion depends on the traffic density and the speed of the
  • Borderroad -
    Print on aluminium composite panel Modern high-tech border walls demonstrate how political solutions are being replaced by technical interventions. A clear illustration is the buttressing of “Fortress Europe” around the Spanish exclaves Ceuta and
  • Camouflage (Print) -
    Print on aluminium composite panel The temporary intervention 'Camouflage' was realised in 2012 on the Bielerhöhe in Tyrol. A row of flagpoles along a bus parking lot, which usually bear the multi-coloured national flags of EU states, now welcomed
  • Biografie Leo Peschta 18th june 1978, in Wien geboren lebt und arbeitet in Wien 2008 Robots' Choice Award, Art-Bots Dublin since 2008 working for RCSI, (Research Center for Shared Incompetence) 2003-2004 Heinrich-Klotz
  • Event: Earthling 2Institution: Mummery + SchnelleComment:
  • Aigner, Carl. Tektonische Körper In On the occasion of La Biennale di Venezia 1995, edited by Ruth SchnellVienna: 1995.
  • Weibel, Peter. Schnittflächen der Politik In digital arts edition 2. Dennis Del Favero: Cross Currents, edited by Nikos PapasterigiadisVol.2. ZKM Digital Arts Edition, , 6. Karlsruhe, Graz: Zentrum für Kunst und Medientechnologie and Neue Galerie,
  • Floating Signs -
    Light installation in public space, 2011-present Harbour, Bregenz (A), invited competition Departing from ambiguous concept and image worlds related to terms like harbour, arrival, staying (also being allowed or having to stay), 'Floating Signs',
  • Schnell, Ruth. In/different Spaces. Vortrag, 1999 im Rahmen des Projektes Differenz am Institut für Kunstgeschichte der Universität Innsbruck gehalten. Publiziert in: Institut für Kunstgeschichte der Universität Innsbruck (Hg.): Differenz, Innsbruck