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etoy
1994
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2005
1994-1999 etoy.CORPORATION 1999-2005 etoy.holding etoy was the first streetgang on the internet, a glamourous boygroup consisting of designers, architects, popstars, marketing agents and systems engineers/coders with a strong corporate identity
n-Polytope
2012
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2015
n-Polytope. Behaviours in Light and Sound after Iannis Xenakis is a spectacular light and sound environment combining cutting edge lighting, lasers, sound, sensing and artificial intelligence software technologies inspired by composer Iannis
Naturalia et artificialia
2016
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2016
ECCENTRIC Art & Research is pleased to present its first exhibition in Milan, opening on October 12, 2016. The exhibition features the work of all its represented artists up-to-date: Ivana Adaime Makac, Jamie Allen, Tomislav Brajnović, Sarah Ciracì,
SMART PANTHEON
2016
All kinds of people are using their smartphones. The displays don’t show any apps – only the sensual movements of the hands. Each pair of hands plays both roles from Michelangelo’s “Creation of Adam” at the Sistine Chapel: God the father and Adam,
Face Value
2013
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2016
Dead Presidents, deceased dictators, passed poets and reigning sovereigns – they watch us daily, as we swap goods for labor-power, as we sell commodities and buy resources, as we hawk dues and invest in securities, as we barter mining rights for
Automata: Seeing Cyborg Through the Eyes of Popular Culture, Computer-Generated Imagery, and Contemporary Theory
1998
Bostic, Adam I.. Automata: Seeing Cyborg Through the Eyes of Popular Culture, Computer-Generated Imagery, and Contemporary Theory Leonardo 31, no. 5 (1998).
Sztuka miedzy wysoka a niska technologia
1995
Chabninski, Adam. Sztuka miedzy wysoka a niska technologia Chip Magazine (June 1995).
Leaving Reality Behind: Etoy vs eToys.com \& other battles to control cyberspace
2003
Wishart, Adam and Regula Bochsler. Leaving Reality Behind: Etoy vs eToys.com \& other battles to control cyberspace. New York: Ecco, 2003.
Tracing Conceptual Structures in Listener Response Studies
2011
Basanta, Adam. Tracing Conceptual Structures in Listener Response Studies New York, USA: EMS 11, 2011.
Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition
2010
Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.
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