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The most distributed image ever is being phased out. What remains is a hill in Sonoma Valley, California. In the context of this project we have re-visited the hill. “After Microsoft” tells the story of a January day in the late 90’s when the hill

In an attempt to become the absolute citizen, Martin John Callanan published his physical location every minute for two years between March 2007 and July 2009. Every minute of every day since the beginning of 2007 I have continually published my

Image: The Port inauguration, Humlegården, Stockholm, 2005 — The Port is a community driven island inside the online 3D world Second Life. The island is open and accessible to Second Life’s 175 000 (Aug 2005) inhabitants and potentially to all

The ‘Touch’ project aims to transform the general perception of a media façade, in this case the Dexia Tower, from a marketing and corporate image device towards an urban light art work. The challenge lies in the design of participation and

YOU FADE TO LIGHT Commissioned by Philips Royal Electronics / Milan 2009 ‘You Fade To Light’ is is an interactive media installation that provokes a kinesthetic dialogue between the viewer and their very own mirror image. The work encourages

PIXELSHADE (I & II) The ‘PixelShades’ are part of a series of projects that were developed for the occasion of showing with Ingo Maurer in Milan & New York in 2006 and 2007. They are designed to print out any digital information (images,

Electronic technology and surveillance have added a digital dimension to Foucauldian panopticism and expanded the ways in which nations can continually monitor and control visitors’ entry through their borders. This instantaneous access to massive

Venetian 3 is a 7" vinyl record multiple edition of 200 with 3 recordings, that use audio material recorded in Venice, Italy, 2009. The Field Recordings have been edited into short compositions that turn the ambient sounds of Venice into music.

The First Immersive Virtual Reality Movie. "ANGELS" was conceived at MIT & developed at the Hitlab in Seattle. It was completed in December 1991 and recorded on video in January 1992. This revolutionary movie was programmed for the 3 senses: visual,

Variations ( Elliott Carter ) photographic, self-animated work for the browser, 2008. Variations ( Elliott Carter ) was commissioned by Ars Electronica Festival to accompany a performance by the Bruckner Orchestra of Elliott Carter's