Archive Search

  • Theme: affective turbulence, the art of open systems. DEAF, the Dutch Electronic Art Festival, is a biennial international and interdisciplinary festival organized by V2_ in Rotterdam (NL) which showcases crossovers between art, technology and
  • The Biennale of Electronic Arts, Perth (BEAP) is a new media arts festival held every 2 years for 3 months, spanning Perth Western Australia and is widely recognised as the premiere electronic arts event in the Asia Pacific region. BEAP examines the
  • The Biennale of Electronic Arts, Perth (BEAP) is a new media arts festival held every 2 years for 3 months, spanning Perth Western Australia and is widely recognised as the premiere electronic arts event in the Asia Pacific region. 1 September - 7
  • Jamieson, Helen Varley and Vicki Smith. UpStage: An Online Tool for Real-Time Storytelling Creative Technologies Journal , no. 2 (November 2011).
  • Abrahams, Annie and Helen Varley Jamieson, ed. CyPosium - the book. Brescia: Link Editions, 2014.
  • Jamieson, Helen Varley. "Real Time, Virtual Space, Live Theatre" - chapter in The Aotearoa Digital Arts Reader; ISBN: 978-0-9582789-9-7;. New Zealand: Clouds, 2008.
  • Third International Conference on the Histories of Media Art, Science and Technology.The next iteration of the Media Art History conference is Re:live which is to be held in Melbourne, Victoria in 2009. The event follows the success of the two
  • The fourth International Conference on the Histories of Media Art, Science and Technology, Rewire, was hosted by FACT (Foundation for Art and Creative Technology) and held in Liverpool, UK, from 28th September to 30th September 2011, In
  • The 5th International Conference on the Histories of Media Art, Science and Technology, Renew, will be hosted by RIXC and held in Riga, Latvia, October 8 – 11, 2013, coinciding with the international festival for new media culture Art+Communication.
  • The European Media Art Festival was held under this name for the first time in the European Film and Television Year of 1988. The concept envisaged offering visitors and participating artists an informative programme by jointly presenting different