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  • Willet, Jennifer. BIOTEKNICA: Reflections on Reproductive and Cloning Technologies Graduate Researcher: Journal for the Arts Science and Technology 1, no. 2 (2003).
  • Foundation, Daniel Langlois and Montreal Museum of Fine Arts, ed. e-art: New Technologies and Contemporary Art. Montreal: The Montreal Museum of Fine Arts with the Daniel Langlois Foundation, 2007.
  • María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
  • Dmitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
  • Reinhuber, Elke. Decidophobia – an artistic research on the possibilities of immersive environments ICONO14. Journal of Communication and Emergent Technologies 12, no. 2 (August 2014): 206-229.
  • Martin Rieser. The Mobile Audience In The Mobile Audience: Media Art and Mobile Technologies, edited by Martin Rieser, 23-38. Amsterdam/New York: Rodopi, 2011.
  • Julie Freeman works with natural systems and emergent technologies. Her large scale installations and online artworks have, since the early 1990s, pioneered her conceptual and critical approach to working with real-time data as a living and
  • Mark Hansen is Professor of Statistics and the Vice-Chair for Graduate Studies at the University of California, Los Angeles. He is also co-principal investigator for the US-based Center for Embedded Sensing, studying the impact of new micro-sensing
  • Cubitt, Sean. The Practice of Light A Genealogy of Visual Technologies from Prints to Pixels. Leonardo Book, Camebridge: MIT Press, 2014.
  • Jamieson, Helen Varley and Vicki Smith. UpStage: An Online Tool for Real-Time Storytelling Creative Technologies Journal , no. 2 (November 2011).