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  • enter project here:artport.whitney.orgScroll down to the bottom of the code to launch its results.Please adjust your Java Security Settings for Whitney Museum Artport in order to launch the Programme.Commissioned by the Whitney Museum.
  • The Meadow -
    THE MEADOW explores and manifests the metaphorical space which lies between the 'simulated' and the 'real' - a space to which artists are inevitably drawn. Ambiguity and irony also share this space, and it is here that new mythologies and realities...
  • Connor, Steven. The Matter of Air: Science and Art of the Ethereal. Islington: Reaktion Books, 2013.
  • Shannon, Claude Elwood and Warren Weaver. The Mathematical Theory of Communication. Champaign, IL: University of Ilinois Press, Urbana III, 1949.
  • Kluszczyński, Ryszard W.. The Material versus the Virtual: On Dialectics of Dalibor Martinis' Art In Martinis – Observatorium: Video/Audio/Interactive Installations [La Biennale di Venezia. XLVII Esposizione Internazionale d'Arte], edited by...
  • Karen Alekyan. The Maps of the Future or Geographical developments https://vimeo.com/93645614.
  • Sanchez Cardona, LM. The making of a nomenclature: José Iges on Radiophonic Art In Radio Art and Music. Culture, Aesthetics, Politics, edited by Pim Verhulst and Jarmila MildorfLondon: Lexington Books, 2020.
  • »The Magnificent MicroBooNE: Science Through the Art of Jackson Pollock and David Smith« was produced within Ellen Sandor’s Fermilab 2016 residency. During the residency, Sandor and (art)n in collaboration with Fermilab scientists translated research...
  • DOMINGUES, DIANA MARIA G. The Magic of Immersive Poetics: HEARTscapes and OUROBOROS ARCO 2003 INTERNATIONAL CONTEMPORARY ART EXPERTS FORUM - 22nd Edition of the International Contemporary Art Fair, no Forum Nuevas Tecnologías y Nuevas Formas de Arte ...
  • The Magic Flute -
    On view will be fifty working drawings and fragments used in the creation of the scenic design and animation for The Magic Flute, the Mozart opera given brilliant interpretation by William Kentridge in a long-awaited production this past spring...