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  • New Media Poetry: Poetic Innovation and New Technologies
    Kac, Eduardo, ed. New Media Poetry: Poetic Innovation and New Technologies. Vol.30. Visible Language, Rhode Island: Rhode Island School of Design, 1996.
  • Haunting the Movie
    Dove, Toni. Haunting the Movie In New Visions in Performance: The Impact of Digital Technologies, edited by Gavin Carver and Colin Beardon, 195pp.. Lisse: Swets and Zeitlinger Publishers, 2004.
  • Sheldon Brown
    Sheldon Brown is Director of the Center for Research in Computing and the Arts (CRCA) at the University of California at San Diego (UCSD) where he is a Professor of Visual Arts and the head of New Media Arts for the California Institute of
  • Johanna Dombois
    Born in 1967 in Berlin is an opera director and author. She produces experimental music theatre and media art inter alia in cooperation with Young Vic London (1987-89), the Academy of Arts Berlin (1993/94, Nederlandse Opera (1998), State theatre
  • Beyond the Image Machine: A History of Visual Technologies
    Tomas, David. Beyond the Image Machine: A History of Visual Technologies. London, New York: Continuum, 2004.
  • Diana Domingues
    Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
  • On Software as Art
    Broeckmann, Andreas. On Software as Art Sarai Reader Shaping Technologies (2003): 215-218.
  • Evelina Domnitch
    mitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
  • Dave Everitt
    Having originally qualified in Fine Art at Trent Polytechnic, Nottingham U.K, from 1997 I began to combine computing with creative work at Loughborough University's computer science Human-Computer Interface department. Around 2000 this produced two
  • Sponge: The Surface That Holds the Image is Unstable
    Chris Salter. Sponge: The Surface That Holds the Image is Unstable ec/artsS 2[00-01]: Special: Textualities and Nouvelles Technologies 2, no. 1 (Fall 2000).
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