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Arte Electronico: Pervirtiendo lo tecnológicamente correcto
1997
Lozano-Hemmer, Rafael. Arte Electronico: Pervirtiendo lo tecnológicamente correcto Movimiento Actual (November 1997).
E
s a
rte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima
2005
Arns, Inke and Jacob Lillemose. E
s a
rte contemporáneo, imbecil - Comisarios de arte digital para sacarlos del gueto, a minima new media, actual art 13 (2005): 164-175.
Mechanism Independent, Paul Vanouse, a minima: actual art publication,
Spa
in, vol 10, 2005.
2005
Vanouse, Paul. Mechanism Independent, Paul Vanouse, a minima: actual art publication,
Spa
in, vol 10, 2005. [].
Las tecnologías digitales de la imagen en la práxi
s a
rtística actual
1997
Alcalá Mellado, José Ramón. Las tecnologías digitales de la imagen en la práxi
s a
rtística actual Revi
sta
de Estudios Provinciais , no. 13 (1997): 201-259.
Holopoetry (Series/Concept) 1983-1993
1983
-
1993
Note from Eduardo Kac: "Please note that it is impossible to convey the readerly interactivity and the
spa
tiotemporal qualities of these pieces on a web page. The documentary images below serve a
s a
n introduction to this work. Six different points
Benoit Maubrey
Born in Washington, DC. Live
s a
nd works in Baitz and Berlin/Germany. Since 1990 director and founder of a Berlin-based art group called Die Audio Gruppe. Mostly known for incorporating loudspeakers into clothes, like ballerina tutus (AUDIO
Metáforas vi
sua
les de la ciudad digital actual, dos décadas después
2015
Alcalá Mellado, José Ramón and Virginia Paniagua. Metáforas vi
sua
les de la ciudad digital actual, dos décadas después In La ciudad Digital; esperanzas, riesgos y desilusiones en las redes., edited by Col. Estudios #145, 157-190. Cuenca,
Spa
in:
CTRL [
SPA
CE]
2001
-
2002
Rhetorics of Surveillance from Bentham to Big Brother In 1785, the British philosopher Jeremy Bentham (1748-1832), founder of the doctrine of Utilitarianism, began working on a plan for a model prison called the panopticon. The signature feature of
American Lessons - The White Room
2001
-
2001
The White Room i
s a
metaphor that illustrates the Brazilian atmosphere face to the con
sta
nt changes in the domestic economy. Moreover, it points to the delicate balance between North and South - in terms of world geography -- after globalization.
Windscreen
2001
-
2001
Windscreen i
s a
n experimental, wind-driven physical interface, 2001. Any physical
sca
le habitable by the human body i
s a
lso "inhabited" by massive levels of sensory data, equivalent to perhaps millions of analog-to-digital input
s a
second. My
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