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  • BIOS 4 -
    DEFINITIONS AND TOOLS Artbiotics - beyond the contemporary: art, biology and environment in the 21st century. Artbiotics is an open interactive and semantic plataform dedicated to biotech and enviromental art. Artbiotics is a work in progress.
  • FOOTNOTES on Geopolitics, Market and Amnesia
    25 february 2007 February 28, 2007: a press conference dedicated to the opening of the Second Moscow Biennale is to be held featuring introduction of curators and the press presentation of the Biennale Main Project display. The participants of the
  • European Media Art Festival 1997
    For the 10th anniversary, almost 1000 entries were submitted to the organising team for the various sections of the festival. In addition to Great Britain and the USA, numerous contributions were sent from New Zealand, Japan, Romania and Brazil.
  • Audio Library of a Viewable World
    website-specific and interactive videos with strange subtitles and other misused YouTube functions. each one based on & using sounds from one category of YT's Audio Library. . . . YouTube’s Audio Library is an archive of 4000 sound effects for
  • European Media Art Festival 1998
    EMAF 1998 addressed the structures of a mediatised society shaped by the simultaneousness of different systems. In everyday life, too, we are surrounded by perception situations taking place in parallel, explained the American Pat O’Neill, to whom
  • European Media Art Festival 2004: Transmitter
    The guiding theme of EMAF 2004 triggered numerous associations: transmitters, emitters, carriers or x-mitters – visualised by all kinds of dove species depicted on the festival’s posters, billboards and catalogues this year. In line with this
  • European Media Art Festival 2011: This is Media Art
    2011 – the year of the tsunami and nuclear disaster in Japan – but also the year of celebrations to mark 150 years of friendship between Germany and Japan. EMAF joined in the festivities by presenting the programme “Japanese Media Art Now”,
  • Deep Contact -
    The next interactive piece, DEEP CONTACT (1989), directly involves the body of the viewer/participant who were required to touch the computerscreen. Viewers choreograph their own encounters in the vista of voyeurism by actually putting their hand on
  • Room of One`s Own -
    ROOM OF ONE'S OWN (1993) forces the viewers eyes to become immersed into the actual space of a tiny articulated interactive electronic peep show. A stainless steel box placed at eye level with movable periscopic viewing device bridges the
  • Sandra Alvaro
    Sandra Alvaro is a scholar working on the encounters between art, science and society. Primarily dedicated to contemporary aesthetics, her recent work focuses on how the technological and societal changes from postmodernity affect and have been
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