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  • Without Firm Ground – Vilém Flusser and the Arts -
    “Ins Universum der technischen Bilder” or “Lob der Oberflächlichkeit“ – with such programmatic titles Vilém Flusser (1920–1991) advanced to become one of the most influential thinkers to deal with communication and media in the 20th century. Flusser
  • Zhan Wang
    Zhan Wang is widely recognized as one of China's leading contemporary artists today. Working in installation, photography and video, his sculpturally informed practice challenges ideas of landscape and environment, addressing the urban, rural,
  • Mythos Maschine: Kultur, Technik und Macht
    Mumford, Lewis. Mythos Maschine: Kultur, Technik und Macht. Frankfurt/Main: Fischer Verlag, 1977.
  • Look at This -
    The exhibition LOOK AT THIS invites visitors to reflect critically on the multitude of links between a work of art, the public, the space and the institution. At the same time, the show questions firmly established (western) perceptions. LOOK AT
  • Hervé Fischer
    Artist-philosopher, Hervé Fischer graduated from the école Normale Supérieure (rue d'Ulm, Paris). For many years he taught sociology of communication and culture at the Sorbonne. He obtained its MBA in philosophy and PhD. in sociology. A multi-media
  • Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound
    Grau, Oliver and Andreas Keil, ed. Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound. Frankfurt/Main: Fischer Verlag, 2005.
  • Art and Marginal Communication
    Fischer, Hervé, ed. Art and Marginal Communication. Paris: Balland, 1974.
  • Théorie de l'art sociologique
    Fischer, Hervè, ed. Théorie de l'art sociologique. Paris: Casterman, 1976.
  • L'Histoire de l'art est terminée
    Fischer, Hervè, ed. L'Histoire de l'art est terminée. Paris: Balland, 1981.
  • Citoyens-sculpteurs
    Fischer, Hervè. Citoyens-sculpteurs. Paris: Segedo, 1981.
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