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  • Interference – a network dropping out, white noise on screens – is seldom welcome. Yet without it, we might not encounter new perspectives or discover new stars. At Jodrell Bank Observatory, scientists regard interference as unhelpful noise or
  • Weibel, Peter. Neurocinema. Zum Wandel der Wahrnehmung im technischen Zeitalter In Wunschmaschine Welterfindung, edited by Brigitte FeldererWien, New York: Springer Verlag, 1996.
  • Müller-Pohle, Andreas, ed. Ins Universum der technischen Bilder. Band 04: 1985, Berlin: Verlag European Photography, 1985.
  • Ototoxicity -
    Through the construction of a short story and the composition of a soundscape, this project and accompanying paper explores whether the dynamic ebb and flow of a story can be conveyed through abstract sound. The work is inspired by a text by
  • Reichle, Ingeborg. Kunst im Zeitalter der technischen Reproduzierbarkeit des Menschen. Zur Rezeption der Gentechnik in der zeitgenössischen Kunst KunstTexte 1 (2001).
  • Benjamin, Walter. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. In Gesammelte Schriften, Band I, Werkausgabe Band 2, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 431-469. Frankfurt am Main: Suhrkamp, 1980.
  • Weibel, Peter. Musik und Medien. Vom Klang im technischen Zeitalter. Vol.2. Enzyklopädie der Medien, Berlin: Hatje Cantz, 2016.
  • TransVersum is a dance video directed by Marikki Hakola. The video is based on the original choreography by Ismo-Pekka Heikinheimo called "Come Quickly for I´m Seeing Stars". The theme of TransVersum is seeking of the expressions of identity and
  • Time and Time again -
    Time&Time Again extends media navigation to a site-specific context with both web- and body-based interfaces. A distributed interactive installation, the piece was commissioned by the Wilhelm Lehmbruck Museum in Duisburg, Germany, as part of its