Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
202
203
204
205
(current)
206
(more)
461
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Deep Sleep (Slipstream Project II)
2004
-
2005
... script the same scenes
are
played but with different...
Karsten Schmidt
Karsten Schmidt, also known as Toxi, is the director of Post Spectacular, the London-based design studio. At the heart of his practice lies the use of code as a creative tool and open-source technologies. Schmidt believes in building his own tools,
El proceso como paradigma
2010
-
2010
Before the background of unforeseen global processes, credit crash and climate change, the exhibition el proceso como paradigma researches the nature of processes and self organising, processual systems on a cultural level and in the arts. el
London Dig
2006
... Sometimes, for no app
are
nt reason, the imagery evolves...
Landing Home in Geneva
2005
-
2005
... and video interviews
are
ranged according to the...
SCHWELLE II
2007
-
2008
... to darkness for no app
are
nt reason while the sound... performance space mea
sure
the changes of light in the...
Free Range Grain
2003
-
2004
Free Range Grain was a live, performative action that used basic molecular biology techniques to test for genetically modified (GM) food in the global food trade. CAE wanted this interventionist performance to demonstrate how the "smooth space" of
What Computers Still Can´t Do: A Critique of Artificial Reason
1992
Dreyfus, Hubert L.. What Computers Still Can´t Do: A Critique of Artificial Reason. Cambridge, MASS: MIT Press, 1992.
The Aesthetics of Reason and C
are
2012
... of Reason and C
are
In Crude Life: The Issue...
European Media Art Festival 2010: Mash Up
2010
... in which different media
are
remixed has become popular...
1
…
(more)
202
203
204
205
(current)
206
(more)
461