Archive Search

  • ... script the same scenes are played but with different...
  • Karsten Schmidt, also known as Toxi, is the director of Post Spectacular, the London-based design studio. At the heart of his practice lies the use of code as a creative tool and open-source technologies. Schmidt believes in building his own tools,
  • Before the background of unforeseen global processes, credit crash and climate change, the exhibition el proceso como paradigma researches the nature of processes and self organising, processual systems on a cultural level and in the arts. el
  • London Dig
    ... Sometimes, for no apparent reason, the imagery evolves...
  • ... and video interviews are ranged according to the...
  • SCHWELLE II -
    ... to darkness for no apparent reason while the sound... performance space measure the changes of light in the...
  • Free Range Grain -
    Free Range Grain was a live, performative action that used basic molecular biology techniques to test for genetically modified (GM) food in the global food trade. CAE wanted this interventionist performance to demonstrate how the "smooth space" of
  • Dreyfus, Hubert L.. What Computers Still Can´t Do: A Critique of Artificial Reason. Cambridge, MASS: MIT Press, 1992.
  • ... of Reason and Care In Crude Life: The Issue...
  • ... in which different media are remixed has become popular...