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El lienzo es la pantalla
2007
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2007
Pieter-Rim de Kroon, Julien Devaux, Jean-Charles Fitoussi, Jean-Luc Godard, Ellen Harvey, Takehito Koganezawa, Malcolm Le Grice, Marcello Mercado, Anne-Marie Miéville, Vincent Monnikendam, Jacco Olivier, Jos Stelling, Straub/Huillet »
Clouding Green
2012
The world’s computing power is moving into the Cloud – but where does the Cloud get its energy? A commission for the 2012 Zero1 Biennial and Samek Art Gallery, the artworks for “Clouding Green” are massive augmented reality clouds in colors ranging
The Beta Renders series
2011
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2012
I agree : 1. To obtain or receive (something) on loan with the promise or understanding of returning it or its equivalent. 2. To adopt or use as one's own: I borrowed your polygon I am giving you back the fundamental transformation. 3. To take a
MOCKUP MODEL, MOCKUP MODEL 2
2012
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2013
3D printed object 200 x 120 x 120mm each MOCKUP MODEL: 3D plaster print, polymer plaster, 23 carat gold leaf; MOCKUP MODEL 2: 3D FDM print, polyamide, chrome-plated In co-production with Veronika Schnell The object 'MOCKUP MODEL' is based on the
Wasserzaun
1990
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1991
Sensor-controlled interactive water installation, customs clearance caravan tunnel Austrian–Slovenian border crossing, competition 1990, realization 1991 "The speed of the sinusoidal wave motion depends on the traffic density and the speed of the
POLYMORPHICS
2018
Vacuum formed polyester Series (4); dim: 80 x 80 cm (each) Four wall reliefs are based on the same microscopic image of carbon substance, which is being transformed by the use of special computer programs used in microscopy. The proceeding of image
LIQUID SOLIDITY
2017
video 5,06' The round-shaped form in the process of constant transformation is based on the idea of simulating life at the molecular level. The structure, which periodically resembles a virus structure, complex proteins or carbon fullerenes, is
RECIPROCITY
2017
Diptych: laser-cut and digital print on plexiglass dim: 200 x 135 cm The hanging objects present microscopic image of a carbon substance (up) and its digital mapping (transcription) into a reciprocal space (down) by the use of digital fast Fourier
Silicon Remembers Carbon
1993
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2000
The central element in "Silicon Remembers Carbon" is a large video image projected down onto a bed of sand on the floor of the installation space. In the second version, instead of laser-discs, the video source is made up from 2 streams of MPEG-2
Carbon vs. Silicon
1997
Grau, Oliver. Carbon vs. Silicon In SIMKLAAS, , 14-27 and 46-57. Berlin: Gestalten Verlag, 1997.
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