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All you can see
2008
-
2008
... own sake. Theories that have been known for a long time from
art
history about the end of painting find their way into digital...
Computer Graphics 1984
1984
-
1984
Computer generated large scale ink plots Indian Ink on Fabiano 300 gsm paper These works were produced using a large scale Interact IV flat bed plotter. A set of abstract images, each measuring 200 x 200 cms. The works were produced by
London Dig
2006
... in which the work is located, Allen and Overy's world headqu
art
ers in Spitalfields, City of London. The site of the building is an...
Torso
1985
A work using simulated recombinant genetic algorithms. The piece used two live computed image sources for two of the monitors, one prerecorded computer animated sequence and two live video feeds from surveilance camera's installed in the space. A
Mutatis mutandis
1995
-
1995
... a paradox: in order to make a comparison one must ignore the p
art
of the differences that isnt directly concerned by the comparison....
Virtual Lascaux
1996
-
1996
... of Benjamin Britton, assistant professor of electronic
art
at the University of Cincinnati. He was inspired to "connect the...
Habeas Corpus
2006
... sited immersive interactive installation composed of two p
art
s. The first p
art
is encountered on entering the subterranean area...
reWrite
2007
...The focus of an
art
work such as reWrite is identity. The work addresses this theme through the use of interactive systems, where the...
Pulsate (An Ear on the Wall)
2007
-
2007
Pulsate (Ear on the Wall)(2007) Sachiko Kodama Collaborator: Minako Takeno In a white room a table, chair and an ear hang on the walls. The lighting of the room wraps down from the ceiling and onto the vertical wall. These off-centered
Book of Shadows
1994
-
1994
... Ellipsis, London copyright 1994 exhibited at Portsmouth
Art
s Centre, Portsmouth, UK, 1998 Surfing, Contemporary
Art
Centre,...
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