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1995
-
1995
Construction of an artificial perception systems, electronic systems that are able to see. U
sua
lly, the actual image
s a
re seen only by the system, which replies to what it sees with interpretive sounds or music. (source:
Natural history of the enigma
2003
-
2008
The central work in the "Natural History of the Enigma" series i
s a
plantimal, a new life form I created and that I call "Edunia", a genetically-engineered flower that i
s a
hybrid of myself and Petunia. The Edunia expresses my DNA exclusively in its
Paris VideoPlan
1986
-
1988
Paris VideoPlan was commissioned by the RATP (Paris Metro) to map the Madeleine district of Paris from the point-of-view of walking down the sidewalk. It was filmed with a stop-frame 35mm camera mounted on an electric cart, filming one frame every 2
Seismocopes
2009
video
"Seismoscope 2: Abu Hamid Muhammad ibn Muhammad al-Ghazali", 2009 Per
sia
n (1058-1111), author of "The Incoherence of Philosophers" 16.1" x 17.7" x 6.7" / 41 x 45 x 17 cm, XY Plotter 45.2" x 16.1" x 17.7" / 115 x 41 x 45 cm podium 11" x 17" / 28
Nature
2007
-
2007
I created Design By Numbers during in a time when getting artist
s a
nd designers to program the computer was just beginning to become in vogue. I spent most of the earlier half of the 1990's espousing the importance of getting beyond the tools, and
eavesdrop
2004
-
2004
video
Presented in a 360-degree purpose-built cinematic environment, 10 people forever repeat a certain 9 minutes of their lives. Exploring terrain that i
s a
t once spiritual, moral, ethical, psychological and physical, this ingeniously crafted artwork is
Prophylexis
2015
-
2015
Kapton material was developed in sixties by Dupont, a chemistry american company. From the very beginning it was one of the main used materials by aeronautics industries for it´s hot and radiation isolates properties what was become in the ideal
DualTerm
2007
video
DualTerm explores our contemporary experience of the global airport. Visitors to Toronto's Pearson Airport's Terminal One come upon a sculptural
sha
pe with five embedded pla
sma
screen monitors. On the left most monitor, a computer generated 3-D
Breathless
2012
In
sta
llation consists of three light objects. Two of them are connected to the RSS [web] feed via computers, and the third, with the aid of the anemomenter provides wind, temperature, noise of street (environment). Computer
sea
rches for all words,
Conversation
1990
"Conversation" i
s a
n interactive multimedia show. As I am free to alter succession, lenght and speed of the animated sequences by exploiting the interactive possibilities of the computer, and as Tibor Szemzõ i
s a
lso free to vary the musical motifs
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