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  • The Swisshouse: An Inhabitable Interface for Connecting Nations
    Huang, Jeffrey and Muriel Waldvogel. The Swisshouse: An Inhabitable Interface for Connecting Nations In DIS´04 Proceedings of the 5th Conference on Designing Interactive Systems: Processes, Practices, Methods, and Techniques, , 195-204. New York:
  • Kunst, Körperbewusstsein und das Technische Weltbild
    Penny, Simon. Kunst, Körperbewusstsein und das Technische Weltbild In Ars Electronica 1996: Memesis. Die Zukunft der Evolution, edited by Gerfried Stocker and Christine Schöpf, Wien and New York. : Springer Verlag, 1996.
  • Video-Math-Festival -
    Event: Video-Math-FestivalInstitution: Technische Universität BerlinComment:
  • Science + Fiction -
    2005 "Science + Fiction" (curated by Stefan Iglhaut and Thomas Spring) Studium Generale, Technische Universität Eindhoven - Eindhoven, Netherlands
  • Wiener Wunderkammer -
    Event: Wiener WunderkammerInstitution: Technische Universität WienComment:
  • cast01 // Living in Mixed Realities -
    Living in Mixed Realities What does it mean to live, play and work in a world shaped and perceived through digital media, networks and architectures of real and virtual space? How can the development of complex communication spaces, life
  • Document B -
    Life has a beginning, a middle and an end. Our minds and memories see time pass in a narrative stream, moving from a beginning towards a close, and this pattern informs our concepts – and our preconceptions. But can we really confirm our lives as we
  • Technische Universität Berlin
  • Sommerer, Christa, “Interface Cultures: Interactive Art, Design & Research“, Lecture as part of the Graz Master Lecture Series #12, TU Graz University of Technology (Austria), 07.06.2011 -
    Event: Sommerer, Christa, “Interface Cultures: Interactive Art, Design & Research“, Lecture as part of the Graz Master Lecture Series #12, TU Graz University of Technology (Austria), 07.06.2011Institution: Technische Universität GrazComment:
  • William Kentridge -
    The ensemble, this catalogue and the exhibition document the rich production of work by William Kentridge (Johannesburg, 1955), and especially show that each one of his activities are a way of returning to the act of drawing, an act the artist has
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