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process 18 2008 - 2008

... the way those elements are visualised. Process 18 uses...
Signals 2008 - 2008

... using their mouse are layered ontop of each other,...
TI 2004 - 2004

C.E.B. Reas lives and works in Los Angeles. His work focuses on defining processes and translating them into visualisations. Since 2001, he has developed Processing, an open-source programming environment, with Ben Fry. Both Reas and Fry have
O fandom como sistema literário: uma análise crítica do texto na Era da Reapropriação virtual. (Fandom as a literary system: a critical analysis of the text in age of virtual reappropiation) 2009

Moes, Fabiana. O fandom como sistema literário: uma análise crítica do texto na Era da Reapropriação virtual. (Fandom as a literary system: a critical analysis of the text in age of virtual reappropiation) Master Thesis, UFPE, Brasil, february 2009.
Hors Pistes 'El estadio del arte 2018 - 2018

Hors Pistes analiza el universo del deporte desde un prisma político y crítico —desarrollando paralelismos con la sociedad— al tiempo que poético, sobre la reapropiación por parte de los artistas de las formas, códigos e imaginario del deporte, para
Fandom como Sistema Literário: uma análise crítica do texto na Era da Reapropriação Virtual. (Fandom as a Literary System: a critical analysis of the text in Age of Re-appropiation Virtual) 2009

Moes, Fabiana. Fandom como Sistema Literário: uma análise crítica do texto na Era da Reapropriação Virtual. (Fandom as a Literary System: a critical analysis of the text in Age of Re-appropiation Virtual) Master Thesis, UFPE, Recife, February 2009.
Plasm: Above the Drome 1991 - 1991

... freely throughout a shared virtual space. Each...
Mirrors of the Unseen 2011 - 2011

... information. The motifs are spread over five floors on...
Inertia 2011

... These animations are synchronized on eight equally...
Social Collider 2009

Karsten Schmidt, also known as Toxi, is the director of Post Spectacular, the London-based design studio. At the heart of his practice lies the use of code as a creative tool and open-source technologies. Schmidt believes in building his own tools,

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