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  • Lagoogleglyph II
    Lagoogleglyph 2 is a distributed, global artwork that inscribes lagoglyphs into the environment and makes them visible to the world. It consists of a pixelated lagoglyph, referencing a rabbit head and specifically made by Kac for the eye of a
  • Survey of Prints -
    ... of his career,” says Aprile Gallant, curator...
  • Lagoogleglyph III
    Lagoogleglyph 3 consists of a pixelated lagoglyph, referencing a rabbit head, made by Kac for the eye of a satellite used by Google. The artist hired the same satellite used by Google and produced a photograph identical to the kind used by Google
  • Lagoogleglyph IV
    Lagoogleglyph 4 is a pixelated lagoglyph, referencing a rabbit head and specifically made by Kac for the eye of a satellite used by Google. The artist hired the same satellite used by Google and produced a photograph identical to the kind used by
  • Eternal Return N°1 - video
    How can Nietzsche’s fear of the Eternal Return made comprehensible, even if it may fallen victim to wrong interpretation? Elke Reinhuber's approach to explicate this problem is a vinyl record of an endlessly reiterating sound, which emphasises the
  • recombinant - the techn(o)rganic body video
    Performers interact with images and sounds and manipulate four mobile projection surfaces, orchestrating a set of changing architectural constructions. Spectators circulate freely like visitors to an installation, accessing multiple points of view
  • Digital Nights Singapore 2010 -
    Digital Nights Singapore 2010 17 - 26 September An interactive new media and digital arts fest during the SGP Season featuring LAb[au]'s installations: frameworks f5x5x2 binary waves, cybernetic urban installation at: SAM _ Singapore Art
  • VideoFest '96
    Technological advances were growing at an exponential rate, and electronic art had started to invariably succumb to the digital. To deal with these developments, the VideoFest had restructured itself: video, television and multimedia were now given
  • European Media Art Festival 1988
    The European Media Art Festival was held under this name for the first time in the European Film and Television Year of 1988. The concept envisaged offering visitors and participating artists an informative programme by jointly presenting different
  • European Media Art Festival 1989
    In September 1989, for the second time Osnabrück hosted the European Media Art Festival, a forum that aimed to show and create free artistic spaces. Against the backdrop of media history, the intention of EMAF was to critically reflect upon the
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