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Theorie des Films: Die Errettung der Äußeren Wirklichkeit 1985

Kracauer, Siegfried. Theorie des Films: Die Errettung der Äußeren Wirklichkeit. Frankfurt/Main: Suhrkamp-Taschenbuch Wissenschaft, 1985.
Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie 1997

Pape, Helmut. Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie. Frankfurt/Main: Suhrkamp, 1997.
Critical Art Ensemble

Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance. Formed in 1987, CAE's focus has
[ epidemiC]

[epidemiC] is a network of people working in sectors as diverse as art, computer science, anthropology, communication, history, and economy. [epidemiC] explores the phenomena arising from the intrusion of computer science's cultural behaviors into
Peter Kogler

Peter Kogler born 1959 in Innsbruck, lives and works in Vienna. Studied painting at the Academy of Fine Arts in Vienna. Professorship at the State University of Fine Arts – Städelschule in Frankfurt/Main, at the Académie des Beaux-Arts in Le Mans,
Video als Raumkunst 1992

Weibel, Peter. Video als Raumkunst In Video – Apparat/Medium, Kunst, Kultur. Ein internationaler Reader, edited by Siegfried Zielinsky, 147-151. Frankfurt/Main, Bern, New York, Paris: Peter Lang Verlag, 1992.
Das Bewegungs-Bild (Kino I) 1989

Deleuze, Gilles. Das Bewegungs-Bild (Kino I). Frankfurt/Main: Suhrkamp, 1989.
Der Bruch des Bildes. Vom Tafelbild zum Bildschirm 1990

Weibel, Peter. Der Bruch des Bildes. Vom Tafelbild zum Bildschirm In Computer art faszination, edited by Dotzler Medien Institut, 25-31. Frankfurt/Main: Suhrkamp, 1990.
Das Zeit-Bild (Kino II) 1996

Deleuze, Gilles. Das Zeit-Bild (Kino II). Frankfurt/Main: Suhrkamp Taschenbuch Wissenschaft, 1996.
Thorsten Fleisch

After highschool and community service in an institution for the mentally ill he went to Marburg to study art, music and media at Phillips Universität. One year later he changed to the Städelschule in Frankfurt in order to study film with Peter

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