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Bob O Kane
Bob O ' Kane is a professional ""linker"" between art and technology. He used interfaces in order to collaborate with other fellow artist such as Ulrike Gabriel , Peter Weibel and Jeffrey Shaw. Graduated from the Media Studies at Buffalo, he work
Peter Weibel
Peter Weibel is an artist, theorist, musician, curator and educator. He is Director and CEO of the ZKM | Center for Art and Media Karlsruhe. Weibel developed an artistic practice on experimental literature and performance working in film, video,
Das Zeit-Bild (Kino II)
1996
Deleuze, Gilles. Das Zeit-Bild (Kino II). Frankfurt/Main: Suhrkamp Taschenbuch Wissenschaft, 1996.
Die virtuelle Stadt im telematischen Raum. Leben im Netz und in Online-Welten
1995
Weibel, Peter. Die virtuelle Stadt im telematischen Raum. Leben im Netz und in Online-Welten In Mythos Metropole, edited by Gotthard Fuchs and B. Moltmann and W. Prigge, 209-222. Frankfurt/Main: Suhrkamp Verlag, 1995.
Zur Kunsttheorie des Malers Giovanni-Paolo Lomazzo (1538-1600)
1985
Cassimatis, Marilena. Zur Kunsttheorie des Malers Giovanni-Paolo Lomazzo (1538-1600). Frankfurt/Main: Peter Lang Verlag, 1985.
Thecla Schiphorst
Thecla Schiphorst is a computer media artist, theorist, educator, computer systems designer, choreographer, and dancer. She is a member of the design team that has developed Life Forms, the computer compositional tool for choreography, and has been
Was Computer nicht können. Die Grenzen künstlicher Intelligenz
1989
Dreyfus, Hubert L.. Was Computer nicht können. Die Grenzen künstlicher Intelligenz. Frankfurt/ Main: Athenäum, 1989.
Fiktion und Virtualität
1998
Esposito, Elena. Fiktion und Virtualität In Medien, Computer, Realität, edited by Sybille Krämer, 269-296. Frankfurt/ Main: Suhrkamp, 1998.
Digitaler Schein
1991
Flusser, Vilém. Digitaler Schein In Digitaler Schein. Ästhetik der elektronischen Medien, edited by Florian Rötzer, 147-159. Frankfurt/Main: Suhrkamp, 1991.
Telepräsenz: Zu Genealogie und Epistemologie von Interaktion und Simulation
2001
Grau, Oliver. Telepräsenz: Zu Genealogie und Epistemologie von Interaktion und Simulation In Formen interaktiver Medienkunst. Geschichte, Tendenzen, Utopien, edited by Peter et. al. Gendolla, 39-63. Frankfurt/Main: Suhrkamp, 2001.
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