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  • transmedia '97 -
    The festival focused again on multimedia, innovative television and video. In 1997, the festival also integrated technological developments and philosophical discourses relevant to these media realms into the programme: brain research,
  • Specious Dialogue (I, II, III) -
    Specious Dialogue is a playful exploration of conversation. The work comprises two cubic sculptures mounted on casters, one black and one white, house battery-powered tiny cameras, as well as wireless recording and playback systems. These can be
  • Plant Sensors -
    Plants are very common in our world and and contain a vast amount of information. Although there are open debates about the intelligence of plants, it is undeniable that plants have a great ablity to sense and respond to their environment. The
  • Jenseits der Bilder. Eine Geschichte der Bildbetrachtung im Abendland
    Debray, Regis. Jenseits der Bilder. Eine Geschichte der Bildbetrachtung im Abendland. Rodenbach: Avinus Verlag, 1999.
  • Transmettre
    Debray, Regis. Transmettre. coll. Le champ médiologique, Paris: Odile Jacob, 1997.
  • Information Weapons "Super Clean Room" -
    This installation took place in a real Super Clean Room at Toyoko Global Environment Laboratory. A "Clean Room" is an artificial air space without any dust or germs...it's air contains nothing: no contaminants. Such rooms are maintained in
  • Celestial Mechanics
    Celestial Mechanics is an artwork intended to be viewed in a planetarium dome. Instead of stars and planets, the ‘night sky’ program reveals many of the aerial technologies hovering, flying, and drifting above us. The project mixes science,
  • AL GRANO: Formas de pensar mundos -
    AL GRANO: Formas de pensar Mundos, 2014, solo exhibition (images above and below) at the Centro de Museos de la Universidad de Caldas, commissioned by the Festival de la Imagen 2014, in Manizales, Colombia. A seed of transgenic corn represents an
  • Débora Aita Gasparetto
    Professora Adjunta no Departamento de Desenho Industrial/UFSM (2015-). Profª Colaboradora junto ao PPGART/UFSM (2017). Doutora em Artes Visuais pelo PPGAV/ UFRGS (2012 - 2016), em História, Teoria e Crítica de Arte, na linha de pesquisa Relações
  • Clockwork -
    Twelve concrete mixers are arranged in a circle in the center of a large rectangular space. They form an “erosion machine” designed to accelerate the decay of Vienna. The mixing drums are filled with architectural debris taken from various buildings
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