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  • The Fireman -
    The FiremanArtist: Jane ProphetComment:
  • Blind Sequence Trust, Low Cry Prototype. In the Name of Kernel series -
    ... " floating copyright natural sound records over vibrating floresta ” ... Integral 23 minutes flythrough sequence across sinthetic floresta, showers of particles and flat alpha plane fires. Floating XYZ coordinates axis and eventual camera deep
  • Twin Depths -
    Video Installation. A series of perfomances 'An attempt to return back to native element'. The installation consists seven screens with loop playing seven movies. It is based on a series of performances 'An attempt to return back to native element'
  • Human Browser -
    A human being embodies the World Wide Web Human Browser is a series of Wi-Fi performances based on a Google Hack, where the usual technological interface is replaced with the oldest interface we know: the human being. Winner of the Share
  • Franz Fischnaller
    Franz Fischnaller was the co-founder of F.A.B.R.I.CATORS and is now the art and production Director. He is a Professor at the Università degli Studi di Firenze (University of Florence, Italy), and teaches art and multimedia on the Master of
  • Netomateque
    Netomatheque provides a voice-driven interface to the netomat browser. In a cozy living room setting, with a comfortable couch, a fireplace and floor to ceiling projections on the walls Netomatheque allows the user to talk directly to the WWW using
  • Through the Mesh: Media, Borders, and Firewalls -
    Assistant Curator, Wade Wallenstern, Keynote lecturer: Geert Lovink Featured Artist/Workshop Facilitator: Negin Ehtesabian
  • Cyberfeminism
    Paterson, Nancy. Cyberfeminism Fireweed 54 (Summer 1996).
  • IDfone -
    Interactive digital video installation, variable size IDphone evokes an ambivalent conjunction between the Freudian notion of the Id, contemporary I.D. systems (biometrics) and a video-phone gone wrong. Employing digital "mirrors" that reflect
  • Sans Armes Citoyens -
    Two years before the turn of the century, a committee chaired by Jean-Jacques Aillagon, at the time director of the Centre Pompidou, was entrusted with the task of defining the ceremonies to celebrate the millennium. Oddly enough, I was invited to
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