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... remote location. In front of the viewer there is also a small videophone, which enables the two viewers to see and talk to each... where the work is installed. It introduces the form of an artwork where viewers who are physically separated from each other can...

... in its long tentacles (25m). The work was made for the start of activities by de Stichting.

A large transparent inflatable tube the public could enter and which, depending on the context of presentation, functioned as an expanded cinema and performance environment, playful interactive space and architectual corridor.

A row of three large parachutes were fixed around their perimeter to the floor and continuously inflated with air. A light bulb above each parachute was the only illumination in the installation, and they were individually activated by the pitch and

A high volume of air was blown from below into a long open-ended polythene tube caused it to flap around wildly in the sky. Smoke and confetti could be added to the air stream.

A room was densely and completely filled with confetti that was being vigorously blown about by big fans. At one point a live elephant was brought into the room and the not realized intention (because the elephant had a cold) was to paint his belly

An air-inflated tube covered with synthetic grass was placed on a grass field behind the Stendlijk Museum in Amsterdam where passers by could play with it and in whatever way they wished.

Air-inflate tubes printed with water imagery were floated as vertical columns in the Sloterplas lake in Amsterdam.

An over-sized inflatable cushion was put into urban locations so that passers by could play with it.

An air-inflated dragon was comissioned for William Klein's film Mr. Freedom. This creature was recycled in a number of urban events where people simply carried it through the streets.