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  • CURATORIAL STATEMENT:Many of the prominent international practitioners in the field of software art could not participate in the first version of CODeDOC since the Whitney Museum is, by its mission, devoted to American artists (citizens and artists
  • Schmitt, Antoine. Wahrgenommene Aktion Neue Zeitschrift für Musik , no. 5 (September/Oktober 2004): 31.
  • Turing complete.
  • Schmundt, Hilmar. Das Kunst-Gen Der Spiegel 26 (June 26th 2000): 114.
  • HDH215 -
    This piece is about a personal memory from my hometown, the small city of Heidenheim in the rural south of Germany. My favourite intersection is located on Schnaitheimer Straße, at the top where the old customs office is situated. One day the
  • Heir of cybernetic art, artist and programmer, Antoine Schmitt uses programming as a material to produce installations, CD-ROMs, online exhibitions, and performances in which he confronts the public or performers with autonomous abstract dynamic
  • Carter, Brian, ed. WORKS: THE ARCHITECTURE OF A.J. DIAMOND, DONALD SCHMITT, AND COMPANY 1968 - 1995, "York University Student Centre" By AJD,DS&Co, Philip Beesley Project Architect. Halifax: TUNS Press, 1996.
  • Curators : Elisabeth Schmuttermeier, Curator, MAK Metal Collection and Wiener Werkstätte Archive Patrick Werkner, Professor and Head of the Art Collection and Archive, University of Applied Arts Vienna Gerald Bast, President, University of Applied
  • Weibel, Peter. Biotechnologie und Kunst In Technik und Gesellschaft: Symposium der Technischen Universita?t Wien, 24.-30. 8. 1980, Lech am Arlberg, edited by Manfred Schmutzer and Technische Universita?t Wien and Interdisziplina?res
  • Schneider, Florian. Reverse Authentification http://www2.tate.org.uk/intermediaart/entry15468.shtm [05.07.2017].