Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
198
199
200
201
(current)
202
(more)
250
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
24hour Social
2014
-
2016
24hour Social is a data-driven 24 hour generative video installation that questions how identities are constructed as data in an era of social media that act as authentic platforms for performances of the self and simultaneously as systems of data-
The Museum as a 21st Century Bestiary: Biotechnology, Nanotechnology and Art Between Protocols and Manifests
2010
Kera, Denisa. The Museum as a 21st Century Bestiary: Biotechnology, Nanotechnology and Art Between Protocols and Manifests cience Exhibitions: Curation & Design (2010): 196.
Forum of speakers, Arin Faye (Curator, Nelson Touchstones Museum of Art and History), Garnet Dirksen (Canadian Contemporary Photographer), Edward Bateman, (Professor, Digital Media, University of Utah), and Megan Arney Johnston (Founder, Slow Curation) -
2020
-
2020
Event: Forum of speakers, Arin Faye (Curator, Nelson Touchstones Museum of Art and History), Garnet Dirksen (Canadian Contemporary Photographer), Edward Bateman, (Professor, Digital Media, University of Utah), and Megan Arney Johnston (Founder, Slow
Fernando Velázquez
Fernando Velázquez is an artist, curator and educator. His practices are developed in the context of art, science and technology, with an interest in the mediation of perception by technical devices. He is particularly interested in topics such as
Electronic Cemetery
1996
Tomb on the Network. A project for a magazine "BRUTUS". A work as a curator of a imaginary museum. Actual museums are sometimes said to be cemeteries for art works, well then, what if I make a cemetery into a museum? Actual cemeteries always
Landstream
2007
-
2007
Landstream visualizes the flux produced by communication technologies, the invisible signals which cross through us, and of which we are, most of the time, completely unaware. A programme analyses the flux running through a space, and transforms the
Fray: Coming Away the Ends
2010
4 projector slide dissolve work 2010 The work is a meditative piece that follows the 10 or more ways that come together in the cell to cause it to die and us to age; the protein debris that accumulates, the chromosome damage produced, etc. etc. The
Shades of Absence: Governing Bodies
2013
video
“Shades of Absence: Governing Bodies" Addresses artists who have been censored by - or due to threats by - high members of the U.S. government. Premiered in 2013 at "Manifest:AR," curator Joseph Hale, Corcoran Gallery of Art/Corcoran School of Art
Strange Days
2017
-
2017
... image con
front
s the question of...
VALUE OF VALUES ON THE BLOCKCHAIN
2018
video
Value of Values (VoV) is a blockchain-based art project. It aims to find out the real, economic value of human values through EEG (Electroencephalography, and biofeedback). VoV is an extension to the acclaimed Brain Factory project. In both,
1
…
(more)
198
199
200
201
(current)
202
(more)
250