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Designing Embodied Interaction: Aesthetic, Technical and Theoretical Issues
2010
Over more than two decades, Simon Penny has pursued the simultaneous development of Interactive Artworks and the design and construction of technologies for Embodied Interaction, utilising Machine Vision and Robotics technologies. This has involved
Fabio Fon
FÁBIO OLIVEIRA NUNES (or Fabio FON) is a Brazilian multimedia artist, digital designer and higher education professor, working among other areas in the studies of hypermidia, web art, media art and poetics of visual. One of his studies is the Web
Jaron Lanier
Jaron Zepel Lanier is an American computer scientist, best known for popularizing the term virtual reality (VR). A pioneer in the field of VR, Lanier and Thomas G. Zimmerman left Atari in 1985 to found VPL Research, Inc., the first company to sell
Cross Currents
1999
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1999
The multi-media project Cross Currents is the third part in the Yugoslavian War trilogy with Pietà (Neue Galerie, Graz, 1996, produced in collaboration with scenario URBANO) and Motel Vilina Vlas (Sprengel Museum, Hanover, 1996) forming the second
Inventions of Space: Artistic, Scientific and Philosophical Intuitions of Contemporary Spatial Concepts.
2018
Berlot, Uršula. Inventions of Space: Artistic, Scientific and Philosophical Intuitions of Contemporary Spatial Concepts. Journal for the Critique of Science, Imagination, and New Anthropology. Lljubljana: Inštitut Časopis za kritiko znanosti
Space and Spectator: Embodied Perception in the Art of Installation
2018
Berlot, Uršula. Space and Spectator: Embodied Perception in the Art of Installation Journal for the Critique of Science, Imagination, and New Anthropology. Lljubljana: Inštitut Časopis za kritiko znanosti XLVI/274, no. 27-54 (2018).
ISEA 1998 [The Ninth International Symposium on Electronic Arts]
1998
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1998
Developments in new technologies appear to be revolutionising every aspect of our daily lives. The metaphors of 'revolution' are often applied to the speed of exponential change that the world is experiencing, in part through developments in
Tessarae of Venus
2009
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2009
Tesserae of Venus imagines a strange future through dynamic photomontages of energy-producing landscapes and related drawings. McPhee borrows from the tectonics of Venus-tesserae, or ‘complex ridged folds,’ in order to structure her images of
Between Benjamin and McLuhan: Vilém Flusser’s Media Theory,” New German Critique 110 (Summer 2010): 180-209.
2010
van der Meulen, Sjoukje. Between Benjamin and McLuhan: Vilém Flusser’s Media Theory,” New German Critique 110 (Summer 2010): 180-209. New German Critique , no. 110 (2010): 180-209.
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