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  • Chabninski, Adam. Sztuka miedzy wysoka a niska technologia Chip Magazine (June 1995).
  • Saraczynska, Agata. Niska i wysoka technologia Gazeta Wyborcza, Kultura (May 9th 1995).
  • Event: Arte, Technologia e InformaticaInstitution: Gallery at Harbourfront CentreComment:
  • Event: Open Art: El Arte después de la technologiaInstitution: Festival de la ImagenComment:
  • Grau Oliver. Media Art needs Histories and Archives. New Perspectives for the Digital Humanities. In Arte e Technologia // Modus Operandi, edited by Maria Beatriz de Medeiros and Suzete Venturelli and Cleomar Rocha, 152-173. : lnstituto de Arte
  • Grau,Oliver. Media Art needs Histories and Archives. New Perspectives for the Digital Humanities. In Arte e Technologia // Modus Operandi Universal, edited by Maria Beatriz de Medeiros and Suzete Venturelli and Cleomar Rocha, 152-173. :
  • Fleischmann, Monika. O instrumento ludico ou o sentido dos sentidos In Conferencia Internacional sobre Technologias e Mediaco. Real vs. virtual, edited by Jose Braganca de Miranda, 365-371. Lisboa: Ediciones Cosmos, 1999.
  • Ascott, Roy. Cultivando o hipercórtex In A Arte no Século XXI: A humanização das technologias, edited by Diana Domingues, 336-344. Sao Paulo: University of São Paulo, 1997.
  • Faced with the occasion to show Points of View 16 years after its creation, it became clear that the restitution of the original hardware and software would be much more difficult than simply reconstructing and reprogramming the complete work on a
  • Adrianne Wortzel has worked in the field of robotic and telerobotic art for over five decades. Her works combine historic and cultural perspectives with fictive narrative to deploy that considered mix in several genres: robotic and telerobotic