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The Mechanic of Emotions is an art opera in 15+ parts each part can be a statement, an event, an installation, an object, a concert, a performance, a web site, a business... the Mechanics of Emotions (M-E) try not to tell the story of the

Digital video installation Custom-made panorama camera, PC, data projector, Macintosh, loud speakers In Morel's Panorama, imagery fed from a panoramic camera (installed in the centre of the gallery) is mapped onto a rendered cylindrical image

Long wave is a site specific installation that was commissioned by Luminato, Toronto Festival of Arts + Creativity and was on view at the Allen Lambert Galleria, Brookfield Place, Toronto, June 5 - 20, 2009. It is a 380 foot long, 60 foot high

INCUBATOR Hybrid Laboratory at the Intersection of Art, Science and Ecology School for Arts and Creative Innovation, The University of Windsor Director, Dr. Jennifer Willet 2009 – Ongoing INCUBATOR is a physical and theoretical hub, a new

In Animal Locomotion (1996-2000), which began with drawings made from Muybridge's photographs of figures in motion, the viewer interactively changes the configuration of the site through interactive image manipulation. The server keeps track of the

An augmented reality installation on the fragility of human vision. Inspired by palinopsia, a rare visual disorder, these two site-specific artworks disrupt the field of vision when viewed through a smartphone, causing London’s tallest building The

Maria Hernandez was a Bushwick activist murdered for her fight to free the area of drug use. In 1989 Bushwick Park was renamed “Maria Hernandez Park” to commemorate her memory, but the artist could not find any image of her on the Internet. This

ScanLink can be described as walking the web backwards. The underlying topology of connectedness, such as popularity and power distribution, is shown through a reverse traversal of links for any given web page. Using ScanLink the user can select a

I"TV : INTERACTIVE IMMERSIVE TV 1999 / 01 i2tv is a model for an electronic arena that explores a new form of live artistic production integrating on-line participants with participants at a real physical location. Participants take part in a

In Sea-Changes (1997-98) artists age 50 or over, from a variety of disciplines, were invited to submit personal biographical materials to a common database. The original idea was to have them use that database as a basis from which create fictional