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  • The Infinite Line proposes new modes of spectatorship in the performance of poetry. In the tradition of Oulipo, the ‘workshop of potential literature', this interactive installation gives visitors the opportunity to recombine the poetic ensemble of
  • "This project unfolded around an anti-NATO militarism web portal that was founded in August 2001 and ran until late 2006. The website gained international popularity over the years through covering news about NATO's expansion into Eastern Europe,
  • ATTRACTIONS -
    video 2′ 'The latest research within the artist’s already distinguished paradigm has brought a few novelties. In the field of phisical laws the stress is on experimentig with magnetism and as far as the complex levels of her works of art are
  • Choses
    Event: ChosesInstitution: National School of Art and Design of NancyComment:
  • Le Cours des choses -
    Event: Le Cours des chosesInstitution: Museum of Contemporary Art of Bordeaux (CAPC)Comment:
  • fünfnullplus -
    [English title, fivezeroplus] Light object Series 'Lichtbilder' The work 'fünfnullplus' from the series 'Lichtbilder' seems at first sight to be a monochrome painting. In the glossy, translucent body of the image, a vertical bar of white LEDs is
  • SeeBanff! - video
    SEE BANFF! is an interactive stereoscopic installation. It bears a strong - and intentional - resemblance to an Edison kinetoscope, which made its public debut one hundred years ago in April 1894. It achieved instant popularity, but was short-lived.
  • Net artist Mark Amerika was born in the American city of Miami. He received a BA from the University of Florida in 1985. In 1997 he was awarded a MFA from Brown University, where he was employed as a creative writing fellow and lecturer for two
  • Masahiko Inami is a professor in the School of Media Design at the Keio University (KMD), Japan. His research interest is in human I/O enhancement technologies including bioengineering, HCI and robotics. He received BE and MS degrees in
  • "Art and Body" was the general topic of EMAF 1995. Many artists had chosen the human body to be the focal point of their projects, and they also brought up the question of the influence the expansion of interactive media has on the individual. The