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Pinocchio Interactive
1999
video
Pinocchio Interactive i
s a
dynamic in
sta
llation which integrates: robotic, animation, digital fantasy and interactivity. It i
s a
ludicrous experience which is filled with surprises, trick
s a
nd wizards of the life of pinocchio in the version 2000.
mission impossible 1862
2010
An interactive 4 channel video in
sta
llation for actor
s a
nd the audience describes the life of the Missionar Jakob Friedrich Ziegler, who moved in the mid-19th Century from Dagersheim near Stuttgart to Dharwar in Karnataka, India. Chris Ziegler:
Simon Biggs
Born in Adelaide, Australia in 1957, new media artist Simon Biggs emerged as one of a
sma
ll number of Australian artists during the 1970’s who were experimenting with electronic and digital media. With initial influences from diverse sources, such
European Media Art Festival 1993
1993
In a time characterised by the loss of utopia and by major social and political change, creativity was called for – this was where artistic and philosophical concepts became increasingly important for creating new perspectives. Not the answer, but
CONTINUUM
1999
video
CONTINUUM i
s a
dance video on a theme of war, power and violence. In the world of Continuum people live and die in circum
sta
nces, where civilization is only a gauze misting the sight in the reality of violence. In a continuous process - continuum -
Paul Hertz
Paul Hertz i
s a
n independent artist, printmaker, and curator who works with algorithmic processes. From 1971 to 1983, he lived and worked in
Spa
in, where he collaborated with actor
s a
nd musicians. He earned a BA in Fine Arts from Brown University
Digital Su
sta
inability: From Resilience to Transformation
2022
-
2022
Inspired by forms of animism, herbalism, panpsychism, and the care of sustenance networks, Badani’s 3D animations explore the intersectionality of the climate crisi
s a
nd the COVID-19 pandemic. In 2019, a bio-based symbiotic interaction unfolded in
INFINITE CUBED | INFINITO AO CUBO
2007
-
2010
Imagine a 3 x 3 x 3 mirrored cube suspended 25 centimeters from the floor supported on a crosspiece in the center of a base having four springs, one on each corner. Two of its facets rotate on its central axle. One facet pivot
s a
nd the other facet
Timeline
2004
Timeline (2004)
sta
rted out a
s a
poem about getting old, for which I collected a
sma
ll database of images found on the web which resonated with the lines from the poem. Interactively, the work is based on the device used in packages like Adobe
The Moon i
s a
Mirror
2014
video
This series of artworks contemplates the screen and its origins. My time in the villages of Southeast A
sia
has shown me an array of organic resources that can be formed into papers. I've re
sea
rched naturally-occurring translucent material
s a
nd have
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