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  • Humanist der Telecommunication
    Perthold, Sabine. Humanist der Telecommunication Bühne (June 6th 1994).
  • Curating Media/Net/Art: Circulating Contexts
    Hochrieser, Sabine and Franz Thalmair and Cont3xt.Net and Michael Kargl, ed. Curating Media/Net/Art: Circulating Contexts. Norderstedt: Books on Demand, 2007.
  • Camille Baker
    Camille Baker is an artist-performer/researcher/curator within various art forms: immersive experiences, participatory performance and interactive art, mobile media art, tech fashion/soft circuits/DIY electronics, responsive interfaces and
  • be prepared! tiger!
    Schmidt, Sabine Maria. be prepared! tiger! Article Artist´s Homepage.
  • Thinkering with Media: On the Art of Paul DeMarinis
    Huhtamo, Erkki. Thinkering with Media: On the Art of Paul DeMarinis In Paul DeMarinis: Buried in Noise, edited by Ingrid Beirer and Sabine Himmelsbach and Carsten Seiffairth, 33-46. Heidelberg/Berlin: Kehrer, 2010.
  • Winner of The Prix Net Art, 2014: JODI
    Michael Connor, Samantha Culp, Zhang Ga, and Sabine Himmelsbach. Winner of The Prix Net Art, 2014: JODI https://prix-netart.org/past-winners/ [PRIX NET ART, October 2014].
  • Julius Popp
    Julius Popp (born 1973) is an artist based in Leipzig and New York. Popp was born in Nuremberg. His work often uses technology,[1] resulting in interdisciplinary ventures which reach across the boundaries of art and science.[2] An example of
  • Tamas Waliczky
    Tamas Waliczky was born in 1959 in Budapest. New media artist. Lives in Budapest, Hong Kong and Vienna. He started making animations at the age of nine. He then worked as a painter, illustrator and photographer. He started working with computers in
  • RISING: Young Artists to keep an Eye on!
    Müller, Sabine Elsa. RISING: Young Artists to keep an Eye on!. 1 th ed.Cologne: DAAB Media, 2011.
  • The Magic Flute -
    On view will be fifty working drawings and fragments used in the creation of the scenic design and animation for The Magic Flute, the Mozart opera given brilliant interpretation by William Kentridge in a long-awaited production this past spring
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