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" The possibility of communication",in « Communication-identification »
1998
...Manovich Lev. " The possibility of communication", in « Communication-identification ».
Paris
, France: ,, 1998.
Jules Verne
1985
... space outside the theatre. The installation used the same augmented-reality technology that was first applied in Viewpoint (
Paris
, 1975). Placed in a row in a corridor, four optical windows presented the virtual situations as a changing sequence as the...
Joachim Sauter
... Television Interactive Award, ADC New York and ADC Germany Gold. His work had been exhibit in ARCO-Spain, Centre Pompidou-
Paris
, ZKM-Germany, ICC-Japan and Venice Biennial.
Peter Kogler
... of Fine Arts – Städelschule in Frankfurt/Main, at the Académie des Beaux-Arts in Le Mans, at the Académie des Beaux-Arts in
Paris
; professorship in computer and video art at the Academy of Fine Arts in Vienna.
conscious love
1999
-
1999
...The installation was conceived for the art show 'amour et conscience',
Paris
, 1999 (Atelier Sévigné, 9/9/99 - 9/12/99). It consists of three parts: Five curtains, representing consciousness, digital word-picture-prints on semi-transparent foil (with the...
George Legrady
... on the classification and visualization of data as in Pockets Full of Memories (2001) commissioned by the Centre Pompidou,
Paris
; Slippery Traces (1996) published by the ZKM Center for Media & Technology Museum in Karlsruhe, Germany, and the award winning...
SENSITIVE WORLDS
2014
...Kisseleva Olga and Manovich Lev and Formis Barbara. SENSITIVE WORLDS.
PARIS
: CDA, 2014.
Planetary Network
1986
-
1986
... Venice, Sydney, Honolulu, Vancouver, Los Angeles, San Francisco, Chicago, Toronto, Pittsburgh, Atlanta, Boston, Bristol,
Paris
, and Milan.
Olga Kisseleva, catalog,
2007
...Misiano Viktor and Taillade François. Olga Kisseleva, catalog,.
Paris
: ISTHME, 2007.
Art and Agency in Times of Wetware
2017
... paradoxes du vivant = The paradoxes of the livingThe Paradoxes of the Living, edited by CollectifVol.04. Stream, , 263-269.
Paris
: PCA éditions, 2017.
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