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  • 2 lectures (Oliver Jahraus, Thomas Dreher), 2 actions (FLATZ, Alexeij Sagerer & proT)
  • Bill Viola has been instrumental in the establishment of video as a vital form of contemporary art, and in so doing has helped to greatly expand its scope in terms of technology, content, and historical reach. For 40 years he has created videotapes,
  • Event: Ornitorrinco in the Sahara (St. Petersburg Biennale, The School of The Art Institute of Chicago, Aldo Castillo Gallery)Institution: the School of the Art Institute of Chicago (SAIC)Comment:
  • TANGENT_FEAR presents the artistic research project Inviting Horror by Karen Lancel and Hermen Maat in which the experience of fear in public space is investigated. In a world in which daily activity is monitored through electronic technologies
  • (Buenos Aires, 1981) Works as an independent curator and cultural practitioner specialized in the digital and electronic scene. Her actual curatorial research is based on the development of Semiotopías, a neologism and curatorial saga she created as
  • Alanen, Antti and Ilppo Pohjola. Sähköiset unet - Musiikkivideot: miten taiteesta tuli pop. Helsinki: VAPK-Kustannus, 1992.
  • casares, nilo, ed. irmos de escaparates unha mostra de arte contemporánea para que saias da casa. Vol.1. 1 th ed.a coruña, spain: concelho da corunha, xunta de galicia e deputación da coruña, 2009.
  • Pink, Sarah and Roderick Coover and Pat Badani and Flavia Caviezel and Mark Marino and Nitin Sawhney and William Uricchio, ed. "Digital Technologies, Visual Research and the Non-Fiction Image" in Advances in Visual Methodology. Vol.Advances in
  • b) nanotextures -
    b) nanotextures is a generative abstract animation designed for use as a real-time visual score. It was created as part of HEARIMPROV, an experimental audiovisual concert by artist Adinda van ‘t Klooster that visualised sound for people interested
  • DOMINGUES, DIANA MARIA G. Ciberadão e a magia das cibercoisas pervasivas In In vivo, in vitro, in silício: ensaios sobre a relação entre arte, ciência, tecnologia e o sagrado, edited by Leila AMARAL and Amir GEIGER, 246-275. São Paulo: Attar, 2008.