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Senspectra
2005
-
2006
... modeling tool
kit
designed for...
Simone Michelin
... in the
product
ion of art....
Exercise in Immersion 4
2006
-
2007
... as an
extension
of the...
Digital Queers
2015
... to:
info
@ocradst.org Email...
OBSERVATORY: CARBON NANOTUBES
2016
... image is a
product
of...
GLOBALE: Without Firm Ground – Vilém Flusser and the Arts
2015
-
2015
“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
Google Will Eat Itself (GWEI) - Hacking Monopolism Trilogy
2005
-
2005
... monopoly of
info
rmation and a...
Blue Stage
2001
-
2001
... programme of
info
rmation together....
The Paradise Institute
2001
Could this be the future of cinema? ''The Paradise Institute,'' by Janet Cardiff and George Bures Miller, is an almost scarily captivating 13-minute multimedia experience. But the artists' mind-boggling interweaving of
Refraction
2010
"Refraction" explores the cinematic narrative of the photographic image in a non-electronic form, the lenticular medium, a process in which two or more images can be seen sequentially simply through the changing of the observer’s viewing
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