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Interview: George Legrady, chair of the Media Arts and Technology program.
2013
Müller Arisona, Stefan. Interview: George Legrady, chair of the Media Arts and Technology program. https://mulpress.mcmaster.ca/jpc/article/view/157/108.
Political Cyberformance: the Etheatre Project
2016
Papagiannouli, Christina. Political Cyberformance: the Etheatre Project. Palgrave Pivot, UK: Palgrave McMillan, 2016.
Sonic Antarctica
2009
„Sonic Antarctica“ features natural and industrial field recordings, sonifications and audifications of science data and interviews with weather and climate scientists. The areas recorded include: the „Dry Valleys“ (77°30’S 163°00’E) on the shore of
The New Dunites
2009
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2013
video
“The Ten Commandments was renowned for the massive set constructed in California's Guadalupe-Nipomo Dunes -- some pieces stood over 30 metres tall. Worried that rival film studios might use the facsimiles of an ancient palace, massive Pharaoh
Microswarm Patchwalk
2016
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2016
Microswarm PatchwalkArtist: Christina McPheeComment:
The Delicate Landscape of Crisis
2011
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2011
A premier survey of California-based McPhee’s experimental films from 2002-2011 will screen at 21:00 , 15 April , 2011 at Freies Museum, Potsdamer Strasse 91 Berlin. Curated by Klaus W. Eisenlohr of Director’s Lounge, Berlin.
La Chonchita N=Amour and other recent films by Christina McPhee
2014
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2014
Event: La Chonchita N=Amour and other recent films by Christina McPheeInstitution: black hole cinemathequeComment:
EXTREME TEXTILES: DESIGNING FOR HIGH PERFORMANCE
2005
McQuaid, Matilda and Philip Beesley and Sean Hanna, ed. EXTREME TEXTILES: DESIGNING FOR HIGH PERFORMANCE. New York: Princeton Architectural Press, 2005.
Immersive Computer Art and the Making of Consciousness
1999
McRobert, Laurie. Immersive Computer Art and the Making of Consciousness In Reframing Consciousness, edited by Roy Ascott, 32-37. Bristol, Wilmington: Intellect Books, 1999.
Christina McPhee
Christina McPhee’s images move within a matrix of abstraction, shadowing figures and contingent effects. Her work emulates potential forms of life, in various systems and territories, and in real and imagined ecologies. Her dynamic, performative,
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