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Satellite Contact 2004 - 2005

Satellite Contact is a two-screen video portrait of the British National Archives (formerly known as the Public Records Office). Satellite Contact never touches the ground: it takes the viewer on an hour-long roller-coaster ride through the guts of
The Metaphor of Touch – Identification, Personality and Contact within the Screen 1996

Zapp, Andrea. The Metaphor of Touch – Identification, Personality and Contact within the Screen In 6th International Symposium on Electronic Art, ISEA, Proceedings, , 322-324. Montreal, Canada: 1996.
Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico 2020

Sanchez Cardona, LM. Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico In Seven experiences of listening and protest in artistic practices, edited by Ana
Seeking Deeper Contact: Interactive Art as Metacommentary 1995

Huhtamo, Erkki. Seeking Deeper Contact: Interactive Art as Metacommentary Convergence 1, no. 2 (Autumn 1995): 81-104.
Hartmut Jahn: Colors of Fridas Garden, Mexico-City 2018 - 2018

Event: Hartmut Jahn: Colors of Fridas Garden, Mexico-CityInstitution: TIETZ & Cie.Comment:
Deep Contact 1986 - 1989

The next interactive piece, DEEP CONTACT (1989), directly involves the body of the viewer/participant who were required to touch the computerscreen. Viewers choreograph their own encounters in the vista of voyeurism by actually putting their hand on
Currents 2010, El Museo Cultural, Santa Fe, New Mexico, USA 2010

Currents 2010, El Museo Cultural, Santa Fe, NM, USA
Intermittent Space: Sound, Violence, Ambiance and Affective Politics of Fear in Contemporary Mexico 2020

Sanchez Cardona, LM. Intermittent Space: Sound, Violence, Ambiance and Affective Politics of Fear in Contemporary Mexico Unlikely Journal for Creative Arts , no. Issue 7 (https://unlikely.net.au/issue-06/intermittent-space 2020): online.
Contact Zones/ The Art of CD Rom 1999 - 1999

The CD-Rom plays a particularly challenging role in these developments. In providing artists with a broader "bandwidths" and more extensive data bases than can yet be readily accessed on the internet, the format of the CD-Rom challenges artists to
L'éthique otaku : Tous seuls ensemble (la crise de contact et autres troubles des sens) 1999

Benayoun, M.. L'éthique otaku : Tous seuls ensemble (la crise de contact et autres troubles des sens) http://www.academia.edu/35783297/L%C3%A9thique_otaku_Tous_seuls_ensemble_la_crise_de_contact_et_autres_troubles_des_sens_1999.

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