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How do you translate a text that is not a text? How do you perform a score that is not a score?
2013
video
... Ibrahim, Ashiq Khondker Wael Leheta, Ayman Mabrouk,
Ada
m Miller, Amr Mohamed, Koen Nutters, Mohamed Refaat, Michelle...
SMART PANTHEON
2016
... pair of hands plays both roles from Michelangelo’s “Creation of
Ada
m” at the Sistine Chapel: God the father and
Ada
m, whose fingers touch...
Face Value
2013
-
2016
... tickets, coupons, slips and receipts, ever so lightly tickled by
Ada
m Smith’s invisible fingers. My prints of the “ Face Value” series...
Automata: Seeing Cyborg Through the Eyes of Popular Culture, Computer-Generated Imagery, and Contemporary Theory
1998
...Bostic,
Ada
m I.. Automata: Seeing Cyborg Through the Eyes of Popular Culture, Computer-Generated Imagery, and Contemporary Theory Leonardo ...
Sztuka miedzy wysoka a niska technologia
1995
...Chabninski,
Ada
m. Sztuka miedzy wysoka a niska technologia Chip Magazine (June 1995).
(collective) Transnational Temps
...International arts collective founded by Verónica Peráles, Fred
Ada
m and Andy Deck, concerned with ecology, sustainability, and media. Since its...
Exploiting Interactivity, Influence, Space and Time to Explore Non-linear Drama in Virtual Worlds
2001
...Craven, Mike and Ian Taylor and
Ada
m Drozd and Jim et. al. Purbrick. Exploiting Interactivity, Influence, Space and Time to Explore...
Leaving Reality Behind: Etoy vs eToys.com \& other battles to control cyberspace
2003
...Wishart,
Ada
m and Regula Bochsler. Leaving Reality Behind: Etoy vs eToys.com \& other battles to control cyberspace. New York: Ecco, 2003.
Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light Media Installations.
2012
...Basanta,
Ada
m. Shades of Synchresis: A Proposed Framework for the Classification of Audiovisual Relations in Sound-and-Light Media...
Tracing Conceptual Structures in Listener Response Studies
2011
...Basanta,
Ada
m. Tracing Conceptual Structures in Listener Response Studies New York, USA: EMS 11, 2011.
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