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  • Julian Oliver. Polygon Destinies: The Production of Place in the Digital Role-Playing Game In COSIGN 2001 Conference Proceedings, Melbourne Victoria, Australia: Julian Holland Oliver Interactive Information Institute RMIT University,, 2000.
  • Willet, Jennifer. BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production [16.07.2014].
  • Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.
  • Schäfer, Mirko Tobias. Bastard Culture! How User Participation Transforms Cultural Production. Amsterdam: Amsterdam University Press, 2011.
  • "Simultaneous Echos" is the most recent production of the series "Field-works," compositing video images and locational data captured by GPS, production was made in Londonderry, Northern Ireland, UK. The project is focused onto music production
  • This project explores the value of immaterial production in a virtual world, and if and how this can be transferred into an economy of material production. We have collected a series of immaterial objects produced and owned by inhabitants in the
  • Lives and works in Brussels My main interests focus on social psychology and perception and their application in multimedia interactive installations. These projects attempt to widen the mind's potential for perception using different production
  • All you can see -
    With common video formats, almost 17 million different colours can theoretically be represented on the screen today. If these are shown all at once, a condensation in pure white is generated in the digital picture production. Translated into a
  • Net Art Anthology -
    A production of Rhizome
  • Net Art Anthology -
    In production from Rhizome