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FIAC- Foire International d'Art Contemporain
1998
-
1998
Paris, France
Foire Internationale d'Art Contemporain (FIAC)
2003
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2003
Event: Foire Internationale d'Art Contemporain (FIAC)Institution: Paris Expo, Porte de VersaillesComment:
FIAC
Mori
1999
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1999
In Mori, the immediacy of the telematic embrace between earth and visitor questions the authenticity of mediated experience in the context of chance, human fragility, and geological endurance. Mori engages the earth as a living medium. Minute
Cyber Squeeks
1990
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1995
The Cyber-Squeek series spoofs the emergence of machine intelligence, in which electronics integrated with life-like forms, have begun to squeak their first words; in their language. Through multiple sensors and switches they respond to human touch
Mori: The Telematic Embrace
Inside the entry curtain, visitors follow a fiber-optic cable to the center of the resonating enclosure where a portal through the floor frames the installation's focal point. The live seismic data stream drives an embedded visual display and
Crystal Math
2012
Crystal Math. 1-channel video, 5.1 sound, 5000 m nylon-wire With thousands of meters of nylon threat Sylvia Eckermann produced a spider web that serves as the captivating projection screen for her "expressive verbal image" (Sabine Dreher) with which
Control and Freedom: Power and Paranoia in the Age of Fiber Optics
2006
Kyong Chun, Wendy Hui. Control and Freedom: Power and Paranoia in the Age of Fiber Optics. Cambridge: MIT Press, 2006.
Fiber Visions
2013
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2013
Event: Fiber VisionsInstitution: Hangzhou Triennial of Fiber Art 2013Comment:
The Subterranean - Exploring networked tools and matter
2015
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2015
Event: The Subterranean - Exploring networked tools and matterInstitution: Fiber FestivalComment:
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