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  • AVAM (Associated Visual Artists of Madrid)
  • On Location: landscape cinema and digital memory
    Parker, Kayla and Stuart Moore. On Location: landscape cinema and digital memory AVANCA | CINEMA 2017 (July 2017): 251-255.
  • Framing memory: return to the zone
    Parker, Kayla and Stuart Moore. Framing memory: return to the zone AVANCA | CINEMA 2018 (July 2018): 103-108.
  • Epidémie -
    Rendre visible l’invisible Parce que l’on parle ici de l’invisible qui détermine notre destin, il est important de lui donner une forme de visibilité. Le danger réside dans l’incapacité du cerveau à dissocier l’importance de la menace de la
  • H2H Art Lab, L’Art comme forme avancée de la recherche sur les médiations humaines
    Event: H2H Art Lab, L’Art comme forme avancée de la recherche sur les médiations humainesInstitution: iMAL, BruxellesComment:
  • sandbox -
    driessens & verstappen sandbox, 2009 Wood, lacquer, metal, fans, sand, electronics, 245 x 122 x 176 cm Supported by: Mondriaan Foundation, Ámsterdam Acknowledgements: The Netherlands Foundation for Visual Arts, Architecture and Design,
  • Victoria Vesna
    Victoria Vesna, Ph.D., is a media artist and Professor at the UCLA Department of Design | Media Arts and Director of the Art|Sci center at the School of the Arts and California Nanosystems Institute (CNSI). She is currently a senior researcher at
  • Johanna Dombois
    Born in 1967 in Berlin is an opera director and author. She produces experimental music theatre and media art inter alia in cooperation with Young Vic London (1987-89), the Academy of Arts Berlin (1993/94, Nederlandse Opera (1998), State theatre
  • L´avanguardismo elettronico dei Kraftwerk
    Camerino, Andrea Andypop. L´avanguardismo elettronico dei Kraftwerk Stile.it (Online Journal) (2006).
  • Delvaux's Dream -
    Paul Delvaux's paintings belong to a completely different art world to Lissitzky's Prouns : in the early twenties, when the Russian artist was exploring suprematist aesthetics, the Belgian painter was executing figurative landscapes. The
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