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  • Media Bombs -
    ... of space, 36 Media Bombs drop out. A crystal TV is embedded in each of the bombs, and the monitors broadcast programs of stock information from all over the world. The programs, each broadcast from a different wavelength, are received through cordless...
  • ...Huhtamo, Erkki. Twenty Fragmentary Thoughts on Video Installation In Interface: Nordic Video Art, edited by Pål Wrange, 18-23. Stockholm: Stiftelsen Nordisk Videokonst, 1990.
  • Paragens
    ...f, Paulo Estellita. Paragens In XXI. Bienal Internacional de Sao Paulo. Exposicao Coletiva de Diana Domingues, edited by Jorge Eduardo Stockler, 207. : Fundacao Bienal de Sao Paulo, 1991.
  • Rigid Waves - video
    ... of identifying reflection with the disintegrative creation of autonomous self-images-images of the self that are not stocked by the self they image. It is an attempt to look at oneself from the outside or even from behind, to stand next to oneself...
  • ...Kac, Eduardo. Aspects of the Aesthetics of Telecommunications In Zero -- The Art of Being Everywhere, edited by Gerfried StockerGraz, Austria: Steirische Kulturinitiative Graz, 1993.
  • ...Kac, Eduardo. Aspekte einer Ästhetik der Telekommunikation In Zero - The Art of Being Everywhere, edited by Gerfried StockerGraz, Austria: Steirische Kulturinitiative Graz, 1993.
  • ... and it hides the protagonist’s face. I was inspired to do that after reading an interview with electronic composer Karlheinz Stockhausen about the repeating and compressed time-scaled structuring inside one of his musical works.
  • ... and Florian Rötzer, ed. Photography after the Photography. Memory and Representation in the Digital Age. Amsterdam: Art Stock, 1996.
  • ... und das Technische Weltbild In Ars Electronica 1996: Memesis. Die Zukunft der Evolution, edited by Gerfried Stocker and Christine Schöpf, Wien and New York. : Springer Verlag, 1996.
  • ... Emperors, Relational Architecture 2 In Ars Electronica 1997: Fleshfactor / Informationsmaschine Mensch, edited by Gerfried Stocker and Christine SchöpfLinz: 1997.