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The Large METEOR T-R-A-P
2014
... to find technologies and strategies to protect the Earth from
ast
eroids and large meteor impacts. Slow push technologies and...
Carolina Montejo
... and eventually starts getting hit by flying rocks, comets and
ast
eroids and barnacles grow on its metallic surface, finally...
Realism in Virtual Reality
1994
Ast
heimer, Peter and F. Dai and R. Göbel and Gabriel et.al. Zachmann. Realism in Virtual Reality In Artificial Life and Virtual Reality, ...
DIGITAL MONSTERS DON'T BLEED
2014
... algorithms as "fundamentalist key texts" that establish "c
ast
-iron rules" beyond the control or influence of normal users.(2)...
NAKED EYE
2010
Intangible Images Brigitte Felderer: Naked Eye, an installation by Sylvia Eckermann With her installation at Kunstraum Bernsteiner Sylvia Eckermann addresses the presentation of the "white cube" by subverting the boundaries between tableaux vivants
Corbusier Digital - die Ästhetik der Implosion
1991
Corbusier Digital - die Ästhetik der Implosion
Ästhetik des Digitalen
2002
Gianetti, Claudia. Ästhetik des Digitalen. Vol.1. SBN 3-211-00571-4, 1 th ed.ien Ney York: Springer Wien Ney York, 2002.
Die Ästhetik der digitalen Kunst
1985
Weibel, Peter. Die Ästhetik der digitalen Kunst In Computerkunst, edited by Kulturverband FavoritenWien: 1985.
Leonel Moura
... art works, he participate in the shows “Artistes & Robots”, Expo
Ast
ana (2017), Kazakhstan, Grand Palais, Paris (2018), and “Brain”,...
WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see?
2004
Beiguelman, Giselle. WYSIWyG or WYGIWyS? (What you see is what you get or what you get is what you see? In pOes1s. Ästhetik digitaler Poesie, edited by Friedrich W. Block and Christiane Heibach and Karin WenzOstfildern-Ruit: Hatje Cantz, 2004.
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