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In 2014, I was invited to exhibit Revelation of Eve Clone IV in “Raising the Temperature” at the Queens Museum of Arts, New York. The work presented Eve Clone being submerged by seawater in a ruin. The water was dyed red, like blood from the dead.

The animation Global Vulva connects female figures and vulva symbols from different times, countries and cultures, while they morph into each other - the cultural meaning of the female genital becomes visible again. You'll see paleolithic

The interactive installation offers exchanges of body signals using a sensorized carpet to capture people displacements. The information are sent to a neural network which mangage the artificial system and gives life to the physic environment. A big

Intervention At the bottom of the Silvretta reservoir dam unfolds a landscape that is touristically barely developed. Stones rupture the alpine turf. Some of these stones were gilded in the artist's studio, shown in exhibitions and later returned to

"Linking art, science, spirituality and technology, this interactive installation is the product of the artist's exploration of virtual reality as a sculptural medium, and is centered upon a floor based projection of computer generated 3D

"The project Tree of Knowledge explores interactions between art and science by using novel cell imaging and tissue culture technologies in order to create live sculptures. When creating a sculpture, the choice of medium is critical as it directly

Heroes are hard to find. The few, who are considered to be worth remembering, are placed somewhere, soon to be forgotten. In the obscurity of arterial roads and shaggy groves characters of bronze or stone wait to be recognised. Maybe they freeze in

Revelation of Eve Clone III was created and exhibited at the “Post-Humanist Desire” international art exhibition at MOCA Taipei. I used 3D animation to recreate all the characteristics in Revelation of Eve Clone I, such as reproductivity and the