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  • V =/ L Book
    Barral, Xavier and Ryoji Ikeda and Caroline Naphegyi, ed. V =/ L Book. Paris, FR: Editions Xavier Barral, 2008.
  • Sally Sheinman
    ... do you wish?" For this touring initiative, I designed six booths where participants could touch a wishing token and leave their...
  • Concerts for the Deaf: Four Senses Multisensory Concerts 2002 -
    ... of making that sound, into light and colour. two "creation booths" were set up in the audience (similar to a typical sound...
  • Sonicity -
    Sonicity by Stanza Sonicity is a responsive installation, a sonification of the data space. The sounds you hear are the sound of the changing environment, ie the changes of noise, light, temperature of the space is turned into a real time sound
  • Jaron Lanier
    Jaron Zepel Lanier is an American computer scientist, best known for popularizing the term virtual reality (VR). A pioneer in the field of VR, Lanier and Thomas G. Zimmerman left Atari in 1985 to found VPL Research, Inc., the first company to sell
  • Alice im Pixelpark
    Basting, Barbara. Alice im Pixelpark http://www.xcult.org/texte/basting/ae.html.
  • MUSEALL
    MUSEALL (prononcer « Musée All », nom alt. : ARTGATE… nom de code) Dispositif Educatif Muséographique Artistique Numérique et Documentaire (DEMAND) Aucun musée ne donne accès à la totalité des collections des autres Musées. Les petites municipalités
  • n-Polytope -
    n-Polytope. Behaviours in Light and Sound after Iannis Xenakis is a spectacular light and sound environment combining cutting edge lighting, lasers, sound, sensing and artificial intelligence software technologies inspired by composer Iannis
  • N-Polytype - Behaviors in Light and Sound After Iannis Xenakis. A co -presentation with BIAN
    Event: N-Polytype - Behaviors in Light and Sound After Iannis Xenakis. A co -presentation with BIANInstitution: Darling FoundryComment:
  • Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes
    Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.
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