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Conversations
2004
video
Conversations offers viewer
s a
n immersive, multimodal, interactive narrative experience exploring the events leading up to the e
sca
pe, recapture, trial and hanging of Ronald Ryan at Pentridge Prison, Melbourne, in 1967; Ryan was the last person
INsideOUT
2009
-
2013
This performance i
s a
bout the materialization of the performer’s thought
s a
nd feelings on the
sta
ge. In the performance, imagination becomes
spa
tial. The
sta
ge i
s a
place for the appearance of the invisible. Yasu Ohashi says: “the actor
s a
im at our
Sub
sta
nce
2002
-
2002
Richard Brown, Alan Dunning and Paul Woodrow Curated by Michael Al
sta
d and Camille Turner InterAccess Electronic Media Arts Centre in partnership with Subtle Technologie
s a
nd Year Zero One present Sub
sta
nce, an exhibition of interactive
This one's for the Farmer
2013
-
2014
‘This one’s for the farmer’ encompasses five bodies of work. Each set of work has been produced with the farming community a
s a
partner. While the title seems to exclude the art viewer, the whole body of work i
s a
bout enticing viewers to take a
Theater without Actors - Immersion and Response in In
sta
llation
1994
Dove, Toni. Theater without Actors - Immersion and Response in In
sta
llation Leonardo 27, no. 4 (1994): 281-287.
Rodent Activity Transmissions (RAT) systems
2016
-
2016
This multipart work uses real-time data gathered from a colony of naked mole-rats, allowing a peek into their lives. The project reflects Julie Freeman’s fascination with their cooperative lifestyle and how it differs from human social organization.
Collaborative Online Teleoperation with
Spa
tial Dynamic Voting and a Human ``Tele-Actor''
2002
Goldberg, Ken and D. Song and Y. Khor and D. Pescovitz and Levandowski, A. and J. Himmelstein and J. et. al. Shih. Collaborative Online Teleoperation with
Spa
tial Dynamic Voting and a Human ``Tele-Actor'' In EEE ICRA 2002, Washington, CD. May
Euoprean Media Art Festival 2002: New Images - New Storie. Art in Modern Media.
2002
Virtual actor or: how real is reality? The congres
s a
t EMAF 2002 explored films in which avatars (characters created on the computer) or "human" actors rather than real human being
s a
ct in virtual environments. This topic was reflected also in some
Automatic Control and Behavior of Virtual Actors
1994
Thalmann, Daniel. Automatic Control and Behavior of Virtual Actors In Interacting with Virtual Environments, edited by LindsayAND Vince MacDonald, 217-227. New York: John Wiley and Sons Ltd., 1994.
Portrait One
1988
-
1990
Marie, a French-speaking Montrealer in her thirties played by actress Paule Ducharme, appears to be lost in reverie. You may try to get her attention: when selecting "Excuse me..." on the display, Marie suddenly
sta
re
s a
t you; then, selecting "Do
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