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  • more-than-human -
    Curated by Jane Tingley
  • Raveningham Sculpture Trail
    Cadence was screened daily in the artists’ animated film programme curated by Professor Suzie Hanna for the micro-kino outdoor cinema space, featuring animations that respond to the themes of nature and journey, specially created for the Sculpture
  • PENDORAN VINCIArt & Artificial Intelligence Today -
    Artists: Nora Al-Badri & Jan Nikolai Nelles (DE), Jonas Blume (DE) Justine Emard (FR), Carla Gannis (US), Sofian Audry and Erin Gee (CAN), Liat Grayver (ISR/DE), Faith Holland (US), Tuomas A. Laitinen (FI), and William Latham (UK) Initiated and
  • Terrarium -
    Curated by Jean Luc Soret.
  • Featured Artwork "Campos ❘ Temporales" by Paul Hertz (2022 - 2023)
    Campos | Temporales (2022 - 2023) by Paul Hertz is a large-scale architectural video installation created for 150 Media Stream in Chicago, featuring a musical composition by Christopher Walczak during its opening night.
  • The pavillion of post-contempary curating: +MUPCA -
    Museum of Post-Contemporary Art (MuPCA) in The Dump Paris est une ville qui semble croire à un déterminisme calendaire qui affecterait l’histoire de l’art et plus encore l’architecture de sa conservation. Orsay: un musée du XIXe siècle, le Centre
  • Rethinking Curating. Art After New Media
    Graham, Beryl and Sara Cook. Rethinking Curating. Art After New Media. Leonardo Book, Cambridge, MASS: The MIT Press, 2010.
  • A Time of Their Own: Curating the Corporate Event
    Rehn, Alf. A Time of Their Own: Curating the Corporate Event museumuseu newsletter 2, There is time in the museum 2 (2007).
  • "Reinventing Image-Making" exhibition -
    Exhibiting artists: - Art Ex Machina (KAWANO Hroi shi, Georg NEES, Ken KNOWLTON, Manfred MOHR, Frieder NAKE, Manuel BARBADILLO) - KIMOTO Keiko - FUJIHATA Masaki - Tamás WALICZKY Curated by: TADA Kaori (Tokyo Photographic Art Museum) Curatorial
  • The Future of Reality -
    In The Future of Reality, we ourselves become avatars and intelligent agents within these hybrid media systems, looking back at ourselves and our histories, gazing into uncertain mirrors, and looking ahead to increasingly seamless, incursive,
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