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Paranoia is the state of the world. Propelled by our media, we have re-assumed our place in the jungle, afraid of the invisible predator all around us. Constantly watching and watched, what is it that we look for? Consisting of six vintage

In the next thirty years we will see more robotic technology integrated into our society, furthering our experience of reality through agency. Robots already go beyond the limitations of our bodies. They build things that we find too difficult or

The Plain Text series plays on the “infinite monkey theorem”. It states that given an infinite amount of monkeys, typewriters, and time, the monkeys will type out any particularly text you choose. If one instructs the monkeys (or monkey simulators),

... in these wooden columns live in a...

... live in identical houses, all of...

Most days we spend a great deal of time watching screens and massaging interfaces. It is only through the looking glass of our devices that we may assume our electronic doppelganger. Wearing it like invisible armor, our avatar helps us navigate and

Drawing Machine 3.1415926 v. 2 explores the notion of generative art or art that makes art on its own. The piece consists of a three tiered mobile sculpture that is driven by the vibration of a motor. This vibration is controlled in two ways. First

Mapping the Void is a series of urban performances by Pessi Parviainen and Christophe Bruno. The performances study the relations between different physical places and the mapping of the global mediascape as we know it.

Global index of the decay of the aura of language, the Dadameter aims at measuring our distance to Dada. It was inspired by the work of the french writer Raymond Roussel. The project is a satire about the recent transmutation of language into a

Oct. 6 2007: internet users worldwide took part in the Nuit Blanche organized by the Paris local council. Second Night was displayed both on Second Life and at Hôtel d’Albret, Paris. works by Andreas Angelidakis, Christophe Bruno, David Guez, Agnès