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The work consists of a Free Software Game Boy emulator whose rendering system has been (pathologically) rewritten to degenerate over time. Game entities mutate into background and interface elements, or appear as fragments of the games binary

... and health. We replace the middleman by getting rid of doctors,...

Voteauction* was a Website which offered US citizens to sell their presidential vote to the highest bidder during the Presidential Elections 2000, Al Gore vs. G.W. Bush. Several US States (Missouri, Wisconsin, Chicago, Arizona, Nevada,

1994-1999 etoy.CORPORATION 1999-2005 etoy.holding etoy was the first streetgang on the internet, a glamourous boygroup consisting of designers, architects, popstars, marketing agents and systems engineers/coders with a strong corporate identity

GWEI - Google Will Eat Itself by UBERMORGEN.COM feat. Alessandro Ludovico vs. Paolo Cirio Net.Art, digital Actionism / Media Hacking, mixed Media, 2005 We generate money by serving Google text advertisments on our Websites. With this

A [hidden] transmission device, using Bluetooth protocols, continually searches for visible and open devices (mobile phones, laptops, PDAs etc) within an area. On discovering an open device, a simple message is sent, reading: “I am still alive”*. I

The urban installation is based on the measuring of infrastructural ( passengers, cars…) and communicational ( electromagnetic fields produced by mobile phones, radio…) flows and their transposition into luminous, sonic and kinetic actions. It

Framework is a kinetic light sculpture constituted by five modules. Each of these modules is constituted of 5 horizontal and 5 vertical square elements, establishing a grid of 5x5x5 =125 frames. This resolution writing is present in the project

(Pixel: In digital imaging, a pixel (picture element) is the smallest unit of an image. Pixels are normally arranged in a regular 2-dimensional grid, and are represented by squares. The word pixel is based on the abbreviation "pix" for "pictures".

The ‘Touch’ project aims to transform the general perception of a media façade, in this case the Dexia Tower, from a marketing and corporate image device towards an urban light art work. The challenge lies in the design of participation and